Issue 5
Shit I'm...
Reading
Our Misguided Obsession with Twitter
Cal Newport, Thought Leader extraordinaire, doing a victory lap on his claim that he's never even had a Twitter account. But, that's a pretty justifiable boast at this point, seeing that it's become a hellsite dominated by a bunch of shitheads.
I, along with a bunch of people I still call friends, were on there super early. January 2007, to be exact. I'm user #616,673 out of however many billions of accounts have been created at this point. It used to be a pretty fun place to just be a nerd and meet folks from all over the world with similar interests. I used to go to Ruby meetups at the Twitter office back in 2007/2008 when none of the Twitter employees could even participate because they were too busy putting out database fires. It's not an exaggeration to say being on Twitter that early on largely impacted the trajectory of my life. I met lots of cool, smart folks who I would have never met otherwise. I pretty much worked at Simple because of Twitter.
But once it started hitting critical mass, it got to be pretty unhealthy for me. I mentioned in a previous issue that I got into a pretty bad cycle of searching twitter for mentions of the product I was building at Simple, naturally honing in on the minority of negative comments. It became the first mass market platform for people to just talk shit under the protection of relative anonymity. It mostly took moving on to a different job that I didn't help directly build to extricate myself from it.
I still used it to keep track of friends and get links and whatnot. But then, as Newport puts it...
The original users of the platform, attracted by the optimistic appeal of sharing and discovery, began to flee, leaving behind a more radicalized band of keyboard warriors.
I definitely consider myself one of the "original users" of the platform. I loved the sharing and discovery. And, I have sense fled.
I'll still browse it every once in a while to see if I can capture a few interesting nuggets, but, for the most part, it's a tire fire. Some folks say you can still derive a lot of value if you are diligent about curating your lists, blocking people judiciously, etc. But after the whole Trump thing, and now the Musk crap... it's just not worth putting any time into.
I've found myself going back to the old stuff for the most part. Those friends I made on Twitter are now mostly in private group texts and Slacks/Discords. I subscribe to email newsletters and now, of course, author one (👋🏼). RSS is back and better than ever, even though I replaced it with Twitter and even built a whole product around that 12 years ago. But now, with services like Readwise Reader, Feedbin, and apps like Reeder, it's a really nice way to aggregate all your interests. And clever services like Mailbrew let you mix and match a whole bunch of stuff that gets delivered to you every day via email.
So, anyways... this article articulates a lot of the underlying reasons why Twitter just kinda sucks these days and why it's bad for your health. It was fun while it lasted, but, like so many other things, it's probably just time to admit defeat and let the loud assholes have it. Or, move to TRUTH SOCIAL lol.
Using
So if you're reading this, you may have noticed I use Hey.com to publish it. However, it's not really a newsletter/blog publishing platform... that's kind of a byproduct of its main focus — email.
First off, a disclaimer. Yeah, I know, the 37signals/Basecamp dudes are fuckin' douchey. They've become ultra rich tech dudes pretty much by telling the world they've figured everything out and proselytizing their doctrine to anyone who will listen. They drive race cars and Well Actually... everyone. Watching the whole company implode after decades of that was disappointing, but also kinda delicious.
Aside from that, they've been making products since like 2004. They kinda invented the whole modern SaaS thing with Basecamp and Rails. Basecamp is decent, I used it a few times back in the day for project management. Rails, as much as its maligned these days, is still probably what I'd build a new app in if it came down to it. In fact, I'm currently employed thanks to Rails.
They came out with an email service a couple years ago called Hey. Basecamp had a "Hey" section that was their cutesy name for notifications etc, and I guess they brought it over to name a full product. Sounds like they spent a shit ton of money on the hey.com domain, even though they used to preach that it didn't matter. Either way, Basecamp had been heavily email based for the last 18 years, so I figured they knew a bit about managing email (which is a damn nightmare). I already had a Fastmail account (referral for 10% off if you're interested), which is actually super nice, but their approach of trying to be Normal Email as much as possible never really grabbed me. And I of course have had Gmail since like 2004 or whenever, but I'd rather use something by douchey loudmouths running a relatively small app than a shitty multinational advertising company.
Anyways, Hey has some novel ideas. The main premise is that any email that arrives gets put into a screener where you can choose to allow that address to email you or not. If you choose to screen them out, any subsequent messages from them get sequestered into its own section. Not quite a spam folder, but similar. Makes it pretty easy to sign up for stuff with your regular address when you know you'll have some control over it.
If you choose to allow it, you can specify if you want it to go to the "Imbox" (IMportant Inbox or something like that... yeah, I know 😑), the Newsfeed, or the Paper Trail. Imbox has an interesting behavior in that reading a message puts the thread into a "previously seen" section automatically. It's available on the main screen, but it's below the unread stuff. You can even choose to put a picture over the previously seen section so it doesn't distract you. It's kinda nice just having the stuff go away while still being easily accessible.
The Newsfeed is optimized for the email newsletter renaissance, with all the stuff that lands in there as a continuous feed where you can choose to read them inline. It's pretty nice, but now that I'm in the Readwise Reader beta (I wrote about it in Issue 2), I just choose to have newsletter go directly there, or I forward them in. It's still a nice feature for the way folks actually use email these days.
And the paper trail is a place to send email receipts for the most part. Lots of email addresses just send you transactional emails, and the paper trail is a pretty good place for them to go.
You can mark any message as "set aside" to refer to later, or to "reply later". Lots of email apps have a snooze functionality that will take them out of the inbox and bring them back later, but these keep them available from the main page in a little stack. Again, people have been doing the "set aside" with flags or labels and a saved search, and reply later with similar strategies or snoozing, but these are two features that are just directly addressing the normal flow.
There's a lot of other features, but I don't make much use of them. The basic workflow and features pretty much cover everything I need for personal email these days.
Except, of course, for the Hey World feature. When they first came out with it, I didn't really think much of it. Kinda seemed like an "easy" thing for them to do with the Hey foundation, and it just felt like another way for them to spout off their self-important diatribes. I mostly ignored it, but when I took the newsletter writing class with Bob Doto, it occurred to me that I should just use it instead of "researching" a bunch of options. I'm fully aware that researching is just procrastination, and the whole point of the newsletter class was to actually publish something.
So, yeah. The Hey World thing is just good enough that it's Fine™, at least to start. And it's included with the account I'm already paying for. Realistically, it's probably good enough that I should never really have to think about it because that's a waste of time. Which I guess is kind of the point. All you really do is send an email to world@hey.com and it creates a simple page and gives you the option to send it to your list. That's pretty much it. No templates, no options, no metrics. It's probably for the best. The last thing I need is obsessing over open rates and shit.
Finally, I bought the takeo.news domain and just forwarded it to the world.hey.com/takeo URL and called it a day.
Some folks have mentioned they don't actually get the emails delivered. Man, email sucks. I guess make sure you opt in on the verification email they send you, and mark it as not spam if it happens to get sent there. Or just subscribe to the RSS feed like a G.
Wearing
Waxed cotton parka by Bridge and Burn, a local Portland brand. I love this thing. I got it for Christmas a couple years ago and it's been great. It's warm, has a hood, lots of pockets, and the waxed brown fabric is good in the rain and is getting a nice patina. And since it's waxed, I can rewax it next winter. I don't think they're available anymore, though.
Listening to
Ghoulies Soundtrack — I was watching a review of a comic book and the reviewer wasn't very impressed with it, but he mentioned that the Ghoulies soundtrack would be the perfect accompaniment to it. I love me some old spooky movie soundtracks, and this is no exception. I mean, look at that cover.
Seeing
No shows this last week, but a few years ago I saw Ramprasad open for Cult Leader at Tonic Lounge (a rad bar venue here in Portland that had tons of good metal shows and went through a whole bunch of shit before being bulldozed for more condos or something).
I was there to see Cult Leader, but Ramprasad was easily the highlight of the night for me. Local boys playing killer proggy/sludgy instrumental stuff. Tsuris – was one of my top albums of 2019 and I still listen to it all the time. "Controlling Tides" is my favorite from it and has one of those riffs I wish I wrote.
Cooking
49er Flapjacks — if you've ever been to the Original Pancake House you might know how much these rule. Thin, gooey, delicious. I suppose they're basically crepes. If you have a 10" carbon steel pan, you're good to go.
Drawing
Didn't get any new drawings done this last week, but here's one I did a few weeks ago:
Laughing at
Learning about
I know it's a dad trope, but I, like lots of folks, have always had the Just In Case collection of computer cables. Admittedly, they have come in handy a few times over the decades of keeping them around. But, this idea of getting rid of anything that you can replace in less than 20 minutes for less than $20 makes even more sense.
Anything we get rid of that we truly need, we can replace for less than $20 in less than 20 minutes from our current location. Thus far, this hypothesis has become a theory that has held true 100% of the time. Although we’ve rarely had to replace a just-in-case item (fewer than five times for the two of us combined), we’ve never had to pay more than $20 or go more than 20 minutes out of our way to replace the item. This theory likely works 99% of the time for 99% of all items and 99% of all people—including you.
Watching
— Toby
Issue 4
I haven’t seen most of my family for three years now because of covid and all that. It sucks. I’m originally form southern california, have a pretty huge family, and am the only one who has moved away. Portland isn’t that far, but it’s far enough that it means we don’t see each other often. Throw in a pandemic and vaccinations and all that and it makes things 10 times harder.
My brother recently bought some property in southern Utah, in Kanab to be precise. I’ve never really been to see any of the cool stuff down there. He told me a while back that they were going to be going to an Airbnb with his family and my mom and dad and that we should try to come out. The kiddos are in school and I planned on driving anyways, so this was destined to be a solo trip. No way was I going to try to take a kid on a 24 hour cannonball run.
I made the drive, leaving this last Tuesday at around noon. After hitting up a ton of superchargers on the way and taking a 3 hour nap from like 2-5am somewhere in Idaho, I got there around 12:30. My parents didn’t know I was going, so it was a really fun surprise.
We had a great time going out and doing all the rad stuff southern Utah has to offer. Off-roading, caves, sand dunes, slot canyons. It was awesome to see my brother and sister in law, my little nephews who call me Uncle Slime, and, of course, my parents. It was a pretty great Mother’s Day. Can’t wait to go back with the whole fam.
Shit I’m…
Reading
The Sandman I and II Audiobooks
Yeah yeah, audiobooks aren’t really reading, and this is a comic book (ackshully, it’s graphic novel 🤓), but I drove about 40 hours this week going from Portland to Kanab, UT and back, and this was perfect for the drive.
I didn’t really know anything about the Sandman series, but I’d always heard good things from back in the day, and it seemed like it had a cool goth vibe. I had an Audible membership for a couple years where you get 12 credits per year to get any of their audiobooks. Seems easy, but it always ended up being one of those things where I didn’t want to “waste” the credits and I overthought my selections until it got to the point where I had to use up like 7 credits in 2 days before they expired. That’s what happened last year, and among a bunch of other random stuff, I snagged the 2 Sandman productions they did.
Turns out they rule.
When I set out on the first leg of the trip to Utah I put on the Dune audiobook that I had grabbed a while back. I tried getting into it a couple times while taking walks but I never got past the first 30 minutes or so. I don’t know, something about it just kinda bugged me. It felt… kinda cheesy? But, it’s supposed to be great and I wanted to read/listen to the book before seeing the movie. This trip felt like It Was Time.
I couldn’t get past the first 30 minutes again.
I know, I’m probably just not sophisticated/smart enough to get it, but I tried. Maybe someday.
So, I put on the Sandman stuff instead. They’re long as hell too, with series I clocking in at 11 hours, and series II at almost 14 hours. Enough to fill up a lot of the drive.
The production is pretty great. I think Audible was trying to make this one of their flagship exclusive productions, and they went all out. Neil Gaiman narrates it himself, and there’s a huge cast of voice actors for all the characters. And there are lots of characters. The stories are really fun, intertwined, and varied enough to not get monotonous. The voice actors are laying it on pretty thick, but I think it works. It’s much more like an old radio serial than something like Stephen Fry reading Harry Potter. Some people complain about it in the reviews, but they’re probably boring pedants.
If you have 25 hours to kill, you could do a lot worse than these.
Using
Convusic — I’m an Apple Music user. I have the whole Apple one bundle thing, and it’s a pretty good deal. It works on my HomePods, is native to my devices, works great in CarPlay, etc. etc. Also, for whatever reason, a lot of my close friends use it as well, which means we can easily share links and I get to discover new stuff by seeing what they’ve been listening to.
Of course, though, this is an anomaly and everyone else in the world uses Spotify for whatever reason. I’ve never forgiven Spotify for putting Rdio out of business even though it was vastly superior, and for not supporting saving full albums to your library without making playlists out of them. Come on, man.
Yeah, I know it hasn’t been like that for years, and their music discovery playlist thing is “better” etc. I don’t like it.
Thankfully something like Convusic exists. It’s a Safari extension (yeah, I also use Safari, fuck Chrome). It’s an extension that lets you register what your preferred music streaming service is and then it translates links to crappy services to the one you like. Now I can click on music links in messages or slack or wherever and get forwarded to the equivalent on Apple Music instead of that open.spotify.com junk.
Wearing
House pants
One of the cool things about doing the newsletter is hearing from people I haven’t heard from in ages. One such example is an email I received with a subject of “House Pants”. I’d never really given much thought to sweats, etc that we’ve all been wearing as full time remote workers now, but it’s a great point. I have House Shoes, I should have House Pants.
Personally, I’ve been rocking some Icebreaker pants and some made by MeUndies. The Icebreakers are nice. As usual, they’re primarily merino wool, soft on the inside, and well made. I actually wore them on my drive to and from Utah rather than sitting in jeans for that long, and I actually ventured into restaurants and shops in them. I wouldn’t be too comfortable doing that in regular sweats, but these were passable.
The MeUndies ones are interesting. They’re the company with all those bad podcast commercials, which made me never really consider them. But I heard good things about the modal material, so I gave it a shot. The pants are super soft and floppy. They’re really nice for lounging around the house. I wouldn’t wear them outside though.
And the ones Kyle recommended in the House Pants email:
While we’re still on the subject of old man comforts, if you haven’t gotten into house pants yet, I absolutely recommend the Rhone Spar Jogger.
Now that I’m thinking about House Pants as a category, I will likely give those a try as well.
Listening to
Dr. Dre Beats but they’re MEDIEVAL
My friend Ted sent this to me a week or two ago and I’ve been listening to it non-stop. Does what it says on the tin — Dre beats but medieval. Lutes and flutes and zithers and shit. It works. My favorites are probably No Diggity and Gin ‘n Juice feat. Sneuppe Thee Hound.
Seeing
Mastodon, Opeth, Khemmis
Mastodon’s bass player went into covid a mild mannered metal guy and came out as Gandalf the White.
As soon as I saw that Opeth was touring I bought tickets. They’ve been one of my favorite bands for a long time now, and they’re pretty great live. It was really weird that they were playing at the Keller Auditorium. I think that’s where they’ve been doing Hamilton? But whatever, I guess if they can fill it with this tour, cool. Very classy.
Khemmis was pretty good. They do some doomy power metal type stuff. The singer guy had a Spinal Tap haircut. At one point he said “WE’RE KHEMMIS FROM DEN…” and I was hoping for Denmark or something cool, but it was just “VER, COLORADO.”
Opeth ruled. I’m a sucker for the ridiculous 70s prog stuff, but I’ll always love their older death metal cookie monster vocals stuff. Thankfully they’re playing old stuff live again. They ended on a massive riff played for like 8 minutes straight, which is how every metal set should end.
Mastodon headlined. I didn’t realize how big they were now I guess. I was apprehensive because out of the 8 or 9 times I’ve seen them over the years they’ve almost never actually sounded good. I really like their stuff, but it’s never translated well live for me. My band opened for them and High on Fire back in like 2003 where we all played to like 30 people, and they ruled back then. They also had a Mastodong shirt for sale that I guess I could have sold for $80 these days. But seeing them at various places like opening for Dethklok or headlining at the Roseland convinced me they couldn’t really pull it off live once they started doing the cleaner vocals and concept albums.
But, they pulled it off pretty well at this show. I could actually understand what they were playing and the vocals were pretty good. However, at one point the sound started glitching out. It sounded like when an MP3 is playing and Winamp runs out of CPU. They took a brief break claiming there was an electrical outage that needed to be repaired, but I suspect they may be Metal Vanilli.
Drawing
Another Joseph Wyman tintype photo. This one was super hard and I still don’t really like it. Oh well. I posted an initial version because I just wanted to be done with it, and I got some feedback that helped me figure out what wasn’t sitting right. So I went back and did a bunch of revisions. It made it better, but not really how I wanted it. Also, when it’s full size shrunk down it gets super distorted looking, so here’s a detail section.
Learning about
Basically, this is learning by teaching. One of those things that you kind of intuitively stumble across, but having it laid out as a methodology is pretty cool. Explain like I’m five, rubber ducking, public speaking, etc. all seem relatively similar too.
Issue 4
I haven't seen most of my family for three years now because of covid and all that. It sucks. I'm originally form southern california, have a pretty huge family, and am the only one who has moved away. Portland isn't that far, but it's far enough that it means we don't see each other often. Throw in a pandemic and vaccinations and all that and it makes things 10 times harder.
My brother recently bought some property in southern Utah, in Kanab to be precise. I've never really been to see any of the cool stuff down there. He told me a while back that they were going to be going to an Airbnb with his family and my mom and dad and that we should try to come out. The kiddos are in school and I planned on driving anyways, so this was destined to be a solo trip. No way was I going to try to take a kid on a 24 hour cannonball run.
I made the drive, leaving this last Tuesday at around noon. After hitting up a ton of superchargers on the way and taking a 3 hour nap from like 2-5am somewhere in Idaho, I got there around 12:30. My parents didn't know I was going, so it was a really fun surprise.
We had a great time going out and doing all the rad stuff southern Utah has to offer. Off-roading, caves, sand dunes, slot canyons. It was awesome to see my brother and sister in law, my little nephews who call me Uncle Slime, and, of course, my parents. It was a pretty great Mother's Day. Can't wait to go back with the whole fam.
Shit I'm...
Reading
The Sandman I and II Audiobooks
Yeah yeah, audiobooks aren't really reading, and this is a comic book (ackshully, it's graphic novel 🤓), but I drove about 40 hours this week going from Portland to Kanab, UT and back, and this was perfect for the drive.
I didn't really know anything about the Sandman series, but I'd always heard good things from back in the day, and it seemed like it had a cool goth vibe. I had an Audible membership for a couple years where you get 12 credits per year to get any of their audiobooks. Seems easy, but it always ended up being one of those things where I didn't want to "waste" the credits and I overthought my selections until it got to the point where I had to use up like 7 credits in 2 days before they expired. That's what happened last year, and among a bunch of other random stuff, I snagged the 2 Sandman productions they did.
Turns out they rule.
When I set out on the first leg of the trip to Utah I put on the Dune audiobook that I had grabbed a while back. I tried getting into it a couple times while taking walks but I never got past the first 30 minutes or so. I don't know, something about it just kinda bugged me. It felt... kinda cheesy? But, it's supposed to be great and I wanted to read/listen to the book before seeing the movie. This trip felt like It Was Time.
I couldn't get past the first 30 minutes again.
I know, I'm probably just not sophisticated/smart enough to get it, but I tried. Maybe someday.
So, I put on the Sandman stuff instead. They're long as hell too, with series I clocking in at 11 hours, and series II at almost 14 hours. Enough to fill up a lot of the drive.
The production is pretty great. I think Audible was trying to make this one of their flagship exclusive productions, and they went all out. Neil Gaiman narrates it himself, and there's a huge cast of voice actors for all the characters. And there are lots of characters. The stories are really fun, intertwined, and varied enough to not get monotonous. The voice actors are laying it on pretty thick, but I think it works. It's much more like an old radio serial than something like Stephen Fry reading Harry Potter. Some people complain about it in the reviews, but they're probably boring pedants.
If you have 25 hours to kill, you could do a lot worse than these.
Using
Convusic — I'm an Apple Music user. I have the whole Apple one bundle thing, and it's a pretty good deal. It works on my HomePods, is native to my devices, works great in CarPlay, etc. etc. Also, for whatever reason, a lot of my close friends use it as well, which means we can easily share links and I get to discover new stuff by seeing what they've been listening to.
Of course, though, this is an anomaly and everyone else in the world uses Spotify for whatever reason. I've never forgiven Spotify for putting Rdio out of business even though it was vastly superior, and for not supporting saving full albums to your library without making playlists out of them. Come on, man.
Yeah, I know it hasn't been like that for years, and their music discovery playlist thing is "better" etc. I don't like it.
Thankfully something like Convusic exists. It's a Safari extension (yeah, I also use Safari, fuck Chrome). It's an extension that lets you register what your preferred music streaming service is and then it translates links to crappy services to the one you like. Now I can click on music links in messages or slack or wherever and get forwarded to the equivalent on Apple Music instead of that open.spotify.com junk.
Wearing
House pants
One of the cool things about doing the newsletter is hearing from people I haven't heard from in ages. One such example is an email I received with a subject of "House Pants". I'd never really given much thought to sweats, etc that we've all been wearing as full time remote workers now, but it's a great point. I have House Shoes, I should have House Pants.
Personally, I've been rocking some Icebreaker pants and some made by MeUndies. The Icebreakers are nice. As usual, they're primarily merino wool, soft on the inside, and well made. I actually wore them on my drive to and from Utah rather than sitting in jeans for that long, and I actually ventured into restaurants and shops in them. I wouldn't be too comfortable doing that in regular sweats, but these were passable.
The MeUndies ones are interesting. They're the company with all those bad podcast commercials, which made me never really consider them. But I heard good things about the modal material, so I gave it a shot. The pants are super soft and floppy. They're really nice for lounging around the house. I wouldn't wear them outside though.
And the ones Kyle recommended in the House Pants email:
While we’re still on the subject of old man comforts, if you haven’t gotten into house pants yet, I absolutely recommend the Rhone Spar Jogger.
Now that I'm thinking about House Pants as a category, I will likely give those a try as well.
Listening to
Dr. Dre Beats but they're MEDIEVAL
My friend Ted sent this to me a week or two ago and I've been listening to it non-stop. Does what it says on the tin — Dre beats but medieval. Lutes and flutes and zithers and shit. It works. My favorites are probably No Diggity and Gin 'n Juice feat. Sneuppe Thee Hound.
Seeing
Mastodon, Opeth, Khemmis
Mastodon's bass player went into covid a mild mannered metal guy and came out as Gandalf the White.
As soon as I saw that Opeth was touring I bought tickets. They've been one of my favorite bands for a long time now, and they're pretty great live. It was really weird that they were playing at the Keller Auditorium. I think that's where they've been doing Hamilton? But whatever, I guess if they can fill it with this tour, cool. Very classy.
Khemmis was pretty good. They do some doomy power metal type stuff. The singer guy had a Spinal Tap haircut. At one point he said "WE'RE KHEMMIS FROM DEN..." and I was hoping for Denmark or something cool, but it was just "VER, COLORADO."
Opeth ruled. I'm a sucker for the ridiculous 70s prog stuff, but I'll always love their older death metal cookie monster vocals stuff. Thankfully they're playing old stuff live again. They ended on a massive riff played for like 8 minutes straight, which is how every metal set should end.
Mastodon headlined. I didn't realize how big they were now I guess. I was apprehensive because out of the 8 or 9 times I've seen them over the years they've almost never actually sounded good. I really like their stuff, but it's never translated well live for me. My band opened for them and High on Fire back in like 2003 where we all played to like 30 people, and they ruled back then. They also had a Mastodong shirt for sale that I guess I could have sold for $80 these days. But seeing them at various places like opening for Dethklok or headlining at the Roseland convinced me they couldn't really pull it off live once they started doing the cleaner vocals and concept albums.
But, they pulled it off pretty well at this show. I could actually understand what they were playing and the vocals were pretty good. However, at one point the sound started glitching out. It sounded like when an MP3 is playing and Winamp runs out of CPU. They took a brief break claiming there was an electrical outage that needed to be repaired, but I suspect they may be Metal Vanilli.
Drawing
Another Joseph Wyman tintype photo. This one was super hard and I still don't really like it. Oh well. I posted an initial version because I just wanted to be done with it, and I got some feedback that helped me figure out what wasn't sitting right. So I went back and did a bunch of revisions. It made it better, but not really how I wanted it. Also, when it's full size shrunk down it gets super distorted looking, so here's a detail section.
Learning about
Basically, this is learning by teaching. One of those things that you kind of intuitively stumble across, but having it laid out as a methodology is pretty cool. Explain like I'm five, rubber ducking, public speaking, etc. all seem relatively similar too.
Issue 3
Portland, OR – Portland: ⛅️ +60°F
Shit I’m…
Update: Jen’s 40th birthday was awesome! Here’s me dressed up as a wish.com interview with a vampire type of thing:
And here’s Jen looking fabulous as a moon goddess:
Reading
Personal Socrates – I heard about this from the Bookworm podcast. I was intrigued as it seemed to present an interesting way of thinking about things by providing profiles of folks and then asking relatively simple, yet difficult-to-answer, questions. The format of the book is kinda unique, and I bought the hardcover purposefully to get the Full Experience. It’s published by Baron Fig, which makes a whole bunch of nice journals and pens and whatnot. The podcast mentioned that the hardcover version had a cool feature where each segment’s right hand page indicated how many pages were left. That’s something I love about reading on the Kindle, and it works well in a physical copy as well. In addition to the niceties of the design, it also comes in a hardcover sleeve that also includes a bookmark.
The book isn’t a linear thing, it’s supposed to be a choose your own adventure type of thing where you can look at the section topics and read whatever resonates with you at the moment. Personally, I’ve been just reading them one after the other. Each section is really short, usually 3-5 pages, and start with a bullet list of facts about the person the section is about. Then there’s a short essay about the person and their experiences and a general question that is intended to get you thinking about how you’d answer it in your own life. It’s pretty neat.
Using
Concepts – as mentioned in the last issue, I’ve been checking out a bunch of drawing/painting apps for the ipad and pencil. While Procreate is definitely the king of the hill when it comes to “natural” media emulation and community, Concepts is worth a look and has some really nice advantages.
First off, it’s a vector based app as opposed to pretty much every other painting/sketching app being raster. Event though it’s vector, it does an amazing job of emulating natural media, which is pretty wild. It doesn’t have quite the same feel as something like Procreate, especially when it comes to things like blending and watercolor styles, but for pencil and ink sketching it’s pretty great.
Being vector comes with some pretty subtle but powerful benefits. First off, you don’t really have to worry about the size of things since vectors are inherently scalable. One of the things I don’t particularly like about using Procreate after having started with Concepts is the whole need to have to think about what size canvas you want, and what resolution it should be. Having worked pretty much exclusively on building for the web the last 20 years or so, that’s not really something my brain has had to calculate for a long time. It’s not really that big of a deal, but since I’m using these apps to actually draw things like portraits and whatnot, there’s a chance I might actually want to… print them out 😮 When printing gets involved, then you really have to think about resolution and size and all that.
Along those lines, while Procreate starts out any project with selecting a canvas size and resolution, Concepts has an infinite canvas, which means there’s just a viewport that you can draw on and then simply drag it over to draw some more next to it, pretty much as much as you want. This is pretty freeing. I’ve been using apps like Fireworks, Sketch, and, most recently, Figma to design web app interfaces. All of them have an infinite canvas paradigm as well, where you can have as many screens within the canvas as you want (as well as multiple pages of infinite canvas), and I’ve taken advantage of that to a somewhat absurd degree. For me, designing things is an exercise in constant iteration, making something I’m somewhat happy with and then duplicating it to make some tweaks and improvements over and over and over. It’s not uncommon for me to have a file that has hundreds of variations on one canvas. Heres' an actual image of me designing a website:
Having an infinite canvas in a drawing app is pretty neat, and the vector aspect has some other really cool advantages as well, like being able to just select strokes and delete or resize them without losing quality. It’s also got some weirdness as well, like “erasing” actually just masking the shapes, and a little bit of uncanny valley syndrome when it comes to the natural media. But, it’s also super great if you’re doing more industrial, landscape, or product design oriented stuff.
It also has a pretty unique UI that is optimized for stylus interaction that I miss whenever I use a different app, and a cool color palette system based on those expensive COPIC markers.
Wearing
Heavy ass jeans. Growing up we were pretty damn poor. Most of my childhood, my jeans were of the Toughskins variety if I was lucky, but usually whatever they had at Kmart or thrift stores. In my teens I did the whole ridiculously baggy pants thing when I skated, and that usually meant getting one or two pairs and wearing them every day. As I got older I maybe got stock Levis or Gap jeans. They were always pretty thin and distressed and “relaxed” fit or whatever. I didn’t really care or know any difference.
When I got into my late 30s I decided to maybe think about the clothes I bought a little bit. I had a bit more money, and wanted something higher quality that would last. The whole workwear thing was big and jeans were a Big Thing. I dipped my toes into the water by buying some that cost over $100, which freaked me out. I loved them. The quality was really apparent, they fit way better, and they were made in America 🦅. I was hooked.
So after wearing that first pair to death, I got a pair that was made in Japan (where they do everything better) that were a bit heavier. Something like 17oz instead of 14oz. I liked these even more. Wore the shit out of them. Had to buy a new pair.
I decided to try out the big dogs — the 21 Ouncers. They’re absurdly thick, stiff, and heavy. When you first get them they’re downright silly. But, living in Portland, and growing up mostly wearing pants or jeans even when it was hot socal weather, they’re just right. Like lots of things that are worth it, they have an uncomfortable breaking in period where you question if it’s worth it. But once they break in and conform to your body, they soften up and feel like butter. They’re thick enough that they almost take on a flannel type of texture when they loosen up. And, of course, they last a long time since they’re so well made. They’re expensive, but capable of being worn pretty much every day for super long stretches of time, and when they inevitably get a crotch blowout or whatever, they’re able to be repaired and worn for another long stretch of time.
It took me almost 40 years to learn, but yeah, I guess paying a bit more for better stuff is pretty worth it.
Automating
As I’ve been trying to do the interstitial journaling throughout the day, I’ve landed on a system that seems ok for now. Like I mentioned before, I use Obsidian for all my writing and notes, which I really love. But, as a cross platform Electron app made by two people, it’s not super native feeling on a mac. With the right themes and plugins I’ve been able to make it feel really great. But, it’s still pretty much a single window to type into. After years of using apps like Things that are super tightly integrated into macOS and have quick entry palettes that an be accessed from anywhere, I really wished Obsidian had something like that so I could quickly send off whatever was on my mind at that time and log it into my daily notes page with a timestamp. Yes, I could switch over to Obsidian relatively easily and type it in and then switch back to whatever I was doing, but that really takes me out of the flow and feels kind of counter to the whole idea of interstitial journaling. It’s just enough friction that it would prevent me from doing it at all.
So, I cobbled something together with Drafts and the advanced URI Obsidian plugin. Essentially, all I do is use the cmd-shift-2 quick entry window command for Drafts, which brings up a small window that I can type some markdown into when I want to log something, and then hit cmd-enter to send it off to the Drafts inbox. Then I occasionally go to the Drafts window to see what I’ve logged and then send it off to my Obsidian daily note with a quick action that puts the content of the draft as a timestamped bullet item under a “Rapid Log” header on my daily notes page (get the action here).
It’s not perfect, but it works. I’ll probably try doing it with Raycast at some point too for even faster entry and directly sending it to Obsidian without having to process it later, but this is pretty ok for now.
Listening to
Robert Bray on the “Scream Therapy” podcast — the drummer for The Locust (Gabe Serbian) passed away a few days ago. I’ve never really been into The Locust. I think I was at their first show back in like 1994 at Cafe Mesotopamia. That’s when Dylan from Struggle was in the band, and they had some long hair singing. It was pretty much a Crossed Out tribute at that point and they weren’t wearing costumes and shit. Anyways, Bobby has always played guitar for them. While I was looking around for stuff on them after learning Gabe died I came across this podcast episode he was a guest on. I’ve only listened to this episode, but it’s a really interesting premise of “scream therapy” wherein the act of screaming is a form of getting your anger and frustrations out.
I suppose it’s just primal scream stuff, but I never really thought about it in that way much. Like Bobby, I’ve been in bands that scream for vocals since the mid 90s. It just works with the style of music we always played. Beyond that, though, it’s always been cathartic. Screaming your head off to ultra heavy, pissed off music has always felt natural.
I was always a pretty tightly wound kid. First born of my entire generation of cousins within an evangelical Mexican family, I always had the feeling of responsibility, of being a Good Kid. This of course led to me being straight edge because it mixed being a Good Kid who doesn’t do drugs with heavy music, which I loved since I first heard Metallica in the late 80s.
And a key component of the straight edge music was screaming.
Well, I suppose much of the early days of straight edge hardcore had vocals more along the lines of “aggressively yelling,” but as things got more evolved and extreme, much of the hardcore scene embraced straight up screaming. Rorschach, who is probably my favorite hardcore band of all time, broke things wide open. When I first dropped the needle on their Protestant album and heard Mandible, everything clicked. This is what I’d been looking for.
Now, most folks will listen to that song and be like what the fuck is this guy screaming about and why is the music so ugly sounding? In fact, a Rorschach song was used in Zero Dark Thirty in a scene where they were torturing someone. To me, though, it’s beautiful. Instead of making me angry or aggressive, it energizes me. I could listen to this stuff pretty much any time of day and be into it.
My first Real Band was called Enewetak and we definitely screamed. I even did some backup screams in a few songs, and even did the main vocals on one. I loved it. There was nothing more energizing and liberating than just playing extremely loud and ugly music while we screamed our fucking heads off. And while most folks would assume the shows were super violent and everyone involved was aggressive, it was pretty much the exact opposite. We played shows in tiny coffee shop like venues while people stood around in baggy pants and oversized shirts with their backback on, nodding their heads up and down. Most of the lyrics were entered around vegetarianism, anti-racism, anti-sexism, anti-capitalism, etc.
So yeah. Life is full of paradoxes I guess. Screaming your damn head off as therapy. The shit works.
Cooking
This is another dish I made during that Middle Eastern dinner party we had a while back, and it’s super good. It’s deceptively simple, as it’s just sweet potatoes with garlic sauce, but it’s super good.
Seeing
Like I mentioned in the last issue, no shows coming up until the Opeth and Mastodon show next week. But, I thought I’d go through the archives and see the last show photos I had before the Unprecedented Times of Covid-19. I went to see Blackwater Holylight, Earthless, and Yob show at Bossanova Ballroom in December 2019. It was pretty awesome, of course.
And then I saw Thrice at Roseland on Jan 24, 2020. I guess that was probably the last show I saw before … well, you know.
I’m going to Opeth and Mastodon on Tuesday, so I’ll have a writeup in the next issue!
Drawing
I came across a photographer names Joseph Wyman and instantly fell in love with his work. I’m still getting used to drawing portraits, and high contrast black and white photos are the best for practicing at this stage since it makes the image really pop. He does old school tintype portraits, and they’re all beautiful. I drew this dude with a huge beard and I’m really happy with how it turned out. I’ll definitely be drawing more of his stuff.
Laughing at
Learning about
The Paper app that was (I think) the first really nice natural media style drawing app for the iPad turned 10 years old, and one of the founders wrote a pretty neat history of how it came together.
Watching
Adriano Celentano - Prisencolinensinainciusol – some of you may know that I have a complete inability to understand lyrics when listening to songs with vocals. Like, I can’t understand them at all. I remember being at work when we were trying to determine the most depressing album of all time and someone nominated Beck’s Sea Change. I listened to it and was like what the hell, this isn’t depressing at all, it just sounds like Beck. And someone was like “but didn’t you listen to the lyrics?” and I was like “Ohhhhh.” Vocals are pretty much just another instrument in the soundscape for me, I just can’t discern what they’re actually saying. Maybe I have some sort of auditory processing disorder or something, I dunno. But either way, I got a link to this video from Bob Doto’s High Pony newsletter and I was shocked that I could finally explain to people how all music sounds to me. Also, the song slaps.
Issue 3
Portland, OR – Portland: ⛅️ +60°F
Shit I'm...
Update: Jen's 40th birthday was awesome! Here's me dressed up as a wish.com interview with a vampire type of thing:
And here's Jen looking fabulous as a moon goddess:
Reading
Personal Socrates – I heard about this from the Bookworm podcast. I was intrigued as it seemed to present an interesting way of thinking about things by providing profiles of folks and then asking relatively simple, yet difficult-to-answer, questions. The format of the book is kinda unique, and I bought the hardcover purposefully to get the Full Experience. It's published by Baron Fig, which makes a whole bunch of nice journals and pens and whatnot. The podcast mentioned that the hardcover version had a cool feature where each segment's right hand page indicated how many pages were left. That's something I love about reading on the Kindle, and it works well in a physical copy as well. In addition to the niceties of the design, it also comes in a hardcover sleeve that also includes a bookmark.
The book isn't a linear thing, it's supposed to be a choose your own adventure type of thing where you can look at the section topics and read whatever resonates with you at the moment. Personally, I've been just reading them one after the other. Each section is really short, usually 3-5 pages, and start with a bullet list of facts about the person the section is about. Then there's a short essay about the person and their experiences and a general question that is intended to get you thinking about how you'd answer it in your own life. It's pretty neat.
Using
Concepts – as mentioned in the last issue, I've been checking out a bunch of drawing/painting apps for the ipad and pencil. While Procreate is definitely the king of the hill when it comes to "natural" media emulation and community, Concepts is worth a look and has some really nice advantages.
First off, it's a vector based app as opposed to pretty much every other painting/sketching app being raster. Event though it's vector, it does an amazing job of emulating natural media, which is pretty wild. It doesn't have quite the same feel as something like Procreate, especially when it comes to things like blending and watercolor styles, but for pencil and ink sketching it's pretty great.
Being vector comes with some pretty subtle but powerful benefits. First off, you don't really have to worry about the size of things since vectors are inherently scalable. One of the things I don't particularly like about using Procreate after having started with Concepts is the whole need to have to think about what size canvas you want, and what resolution it should be. Having worked pretty much exclusively on building for the web the last 20 years or so, that's not really something my brain has had to calculate for a long time. It's not really that big of a deal, but since I'm using these apps to actually draw things like portraits and whatnot, there's a chance I might actually want to... print them out 😮 When printing gets involved, then you really have to think about resolution and size and all that.
Along those lines, while Procreate starts out any project with selecting a canvas size and resolution, Concepts has an infinite canvas, which means there's just a viewport that you can draw on and then simply drag it over to draw some more next to it, pretty much as much as you want. This is pretty freeing. I've been using apps like Fireworks, Sketch, and, most recently, Figma to design web app interfaces. All of them have an infinite canvas paradigm as well, where you can have as many screens within the canvas as you want (as well as multiple pages of infinite canvas), and I've taken advantage of that to a somewhat absurd degree. For me, designing things is an exercise in constant iteration, making something I'm somewhat happy with and then duplicating it to make some tweaks and improvements over and over and over. It's not uncommon for me to have a file that has hundreds of variations on one canvas. Heres' an actual image of me designing a website:
![[Pasted image 20220502075119.png]]
Having an infinite canvas in a drawing app is pretty neat, and the vector aspect has some other really cool advantages as well, like being able to just select strokes and delete or resize them without losing quality. It's also got some weirdness as well, like "erasing" actually just masking the shapes, and a little bit of uncanny valley syndrome when it comes to the natural media. But, it's also super great if you're doing more industrial, landscape, or product design oriented stuff.
It also has a pretty unique UI that is optimized for stylus interaction that I miss whenever I use a different app, and a cool color palette system based on those expensive COPIC markers.
Wearing
Heavy ass jeans. Growing up we were pretty damn poor. Most of my childhood, my jeans were of the Toughskins variety if I was lucky, but usually whatever they had at Kmart or thrift stores. In my teens I did the whole ridiculously baggy pants thing when I skated, and that usually meant getting one or two pairs and wearing them every day. As I got older I maybe got stock Levis or Gap jeans. They were always pretty thin and distressed and "relaxed" fit or whatever. I didn't really care or know any difference.
When I got into my late 30s I decided to maybe think about the clothes I bought a little bit. I had a bit more money, and wanted something higher quality that would last. The whole workwear thing was big and jeans were a Big Thing. I dipped my toes into the water by buying some that cost over $100, which freaked me out. I loved them. The quality was really apparent, they fit way better, and they were made in America 🦅. I was hooked.
So after wearing that first pair to death, I got a pair that was made in Japan (where they do everything better) that were a bit heavier. Something like 17oz instead of 14oz. I liked these even more. Wore the shit out of them. Had to buy a new pair.
I decided to try out the big dogs — the 21 Ouncers. They're absurdly thick, stiff, and heavy. When you first get them they're downright silly. But, living in Portland, and growing up mostly wearing pants or jeans even when it was hot socal weather, they're just right. Like lots of things that are worth it, they have an uncomfortable breaking in period where you question if it's worth it. But once they break in and conform to your body, they soften up and feel like butter. They're thick enough that they almost take on a flannel type of texture when they loosen up. And, of course, they last a long time since they're so well made. They're expensive, but capable of being worn pretty much every day for super long stretches of time, and when they inevitably get a crotch blowout or whatever, they're able to be repaired and worn for another long stretch of time.
It took me almost 40 years to learn, but yeah, I guess paying a bit more for better stuff is pretty worth it.
Automating
As I've been trying to do the interstitial journaling throughout the day, I've landed on a system that seems ok for now. Like I mentioned before, I use Obsidian for all my writing and notes, which I really love. But, as a cross platform Electron app made by two people, it's not super native feeling on a mac. With the right themes and plugins I've been able to make it feel really great. But, it's still pretty much a single window to type into. After years of using apps like Things that are super tightly integrated into macOS and have quick entry palettes that an be accessed from anywhere, I really wished Obsidian had something like that so I could quickly send off whatever was on my mind at that time and log it into my daily notes page with a timestamp. Yes, I could switch over to Obsidian relatively easily and type it in and then switch back to whatever I was doing, but that really takes me out of the flow and feels kind of counter to the whole idea of interstitial journaling. It's just enough friction that it would prevent me from doing it at all.
So, I cobbled something together with Drafts and the advanced URI Obsidian plugin. Essentially, all I do is use the cmd-shift-2 quick entry window command for Drafts, which brings up a small window that I can type some markdown into when I want to log something, and then hit cmd-enter to send it off to the Drafts inbox. Then I occasionally go to the Drafts window to see what I've logged and then send it off to my Obsidian daily note with a quick action that puts the content of the draft as a timestamped bullet item under a "Rapid Log" header on my daily notes page (get the action here).
It's not perfect, but it works. I'll probably try doing it with Raycast at some point too for even faster entry and directly sending it to Obsidian without having to process it later, but this is pretty ok for now.
Listening to
Robert Bray on the "Scream Therapy" podcast — the drummer for The Locust (Gabe Serbian) passed away a few days ago. I've never really been into The Locust. I think I was at their first show back in like 1994 at Cafe Mesotopamia. That's when Dylan from Struggle was in the band, and they had some long hair singing. It was pretty much a Crossed Out tribute at that point and they weren't wearing costumes and shit. Anyways, Bobby has always played guitar for them. While I was looking around for stuff on them after learning Gabe died I came across this podcast episode he was a guest on. I've only listened to this episode, but it's a really interesting premise of "scream therapy" wherein the act of screaming is a form of getting your anger and frustrations out.
I suppose it's just primal scream stuff, but I never really thought about it in that way much. Like Bobby, I've been in bands that scream for vocals since the mid 90s. It just works with the style of music we always played. Beyond that, though, it's always been cathartic. Screaming your head off to ultra heavy, pissed off music has always felt natural.
I was always a pretty tightly wound kid. First born of my entire generation of cousins within an evangelical Mexican family, I always had the feeling of responsibility, of being a Good Kid. This of course led to me being straight edge because it mixed being a Good Kid who doesn't do drugs with heavy music, which I loved since I first heard Metallica in the late 80s.
And a key component of the straight edge music was screaming.
Well, I suppose much of the early days of straight edge hardcore had vocals more along the lines of "aggressively yelling," but as things got more evolved and extreme, much of the hardcore scene embraced straight up screaming. Rorschach, who is probably my favorite hardcore band of all time, broke things wide open. When I first dropped the needle on their Protestant album and heard Mandible, everything clicked. This is what I'd been looking for.
Now, most folks will listen to that song and be like what the fuck is this guy screaming about and why is the music so ugly sounding? In fact, a Rorschach song was used in Zero Dark Thirty in a scene where they were torturing someone. To me, though, it's beautiful. Instead of making me angry or aggressive, it energizes me. I could listen to this stuff pretty much any time of day and be into it.
My first Real Band was called Enewetak and we definitely screamed. I even did some backup screams in a few songs, and even did the main vocals on one. I loved it. There was nothing more energizing and liberating than just playing extremely loud and ugly music while we screamed our fucking heads off. And while most folks would assume the shows were super violent and everyone involved was aggressive, it was pretty much the exact opposite. We played shows in tiny coffee shop like venues while people stood around in baggy pants and oversized shirts with their backback on, nodding their heads up and down. Most of the lyrics were entered around vegetarianism, anti-racism, anti-sexism, anti-capitalism, etc.
So yeah. Life is full of paradoxes I guess. Screaming your damn head off as therapy. The shit works.
Cooking
This is another dish I made during that Middle Eastern dinner party we had a while back, and it's super good. It's deceptively simple, as it's just sweet potatoes with garlic sauce, but it's super good.
Seeing
Like I mentioned in the last issue, no shows coming up until the Opeth and Mastodon show next week. But, I thought I'd go through the archives and see the last show photos I had before the Unprecedented Times of Covid-19. I went to see Blackwater Holylight, Earthless, and Yob show at Bossanova Ballroom in December 2019. It was pretty awesome, of course.
![[4DEDA7F5-4ED5-4BCE-A464-8FFDC2D6DA92_1_105_c.jpeg]]
And then I saw Thrice at Roseland on Jan 24, 2020. I guess that was probably the last show I saw before ... well, you know.
![[9FC7B4B3-227F-4294-8F2F-A189E8CA36A8_1_105_c.jpeg]]
I'm going to Opeth and Mastodon on Tuesday, so I'll have a writeup in the next issue!
Drawing
![[AF9EE485-DFB4-45CB-9005-6F4EE3E6CA82_1_102_o.jpeg]]
I came across a photographer names Joseph Wyman and instantly fell in love with his work. I'm still getting used to drawing portraits, and high contrast black and white photos are the best for practicing at this stage since it makes the image really pop. He does old school tintype portraits, and they're all beautiful. I drew this dude with a huge beard and I'm really happy with how it turned out. I'll definitely be drawing more of his stuff.
Laughing at
![[D61BFFB3-477D-4888-BFF9-14C8FB1FD752_1_105_c.jpeg]]
Learning about
The Paper app that was (I think) the first really nice natural media style drawing app for the iPad turned 10 years old, and one of the founders wrote a pretty neat history of how it came together.
Watching
Adriano Celentano - Prisencolinensinainciusol – some of you may know that I have a complete inability to understand lyrics when listening to songs with vocals. Like, I can't understand them at all. I remember being at work when we were trying to determine the most depressing album of all time and someone nominated Beck's Sea Change. I listened to it and was like what the hell, this isn't depressing at all, it just sounds like Beck. And someone was like "but didn't you listen to the lyrics?" and I was like "Ohhhhh." Vocals are pretty much just another instrument in the soundscape for me, I just can't discern what they're actually saying. Maybe I have some sort of auditory processing disorder or something, I dunno. But either way, I got a link to this video from Bob Doto's High Pony newsletter and I was shocked that I could finally explain to people how all music sounds to me. Also, the song slaps.
Issue 2
Portland, OR – Portland: ☀️ +41°F
Also, today is my wife's 40th birthday!! I'm extremely lucky to have her in my life, and I love her with all my heart. We're throwing a big party tomorrow to make up for her 10th birthday 30 years ago that no one showed up to because of the LA riots. Here she is looking super beautiful and cute as heck in her EGL dress while holding a fake raven:
Shit I'm...
Reading
(This turned out much longer than I anticipated, but hopefully you find it worthwhile. Take a seat as Grandpa Toby spins a yarn.)
My current job at Zendesk is kinda unique. I've been there around six and a half years, which is the longest I've ever been at one place. I was originally hired on due to some interesting circumstances. Back in 2008 or so, I had a side project app I had made called Stafftool that was a web based product for managing churches and non-profits. It was pretty wild. I had been into Ruby on Rails for a year or two at that point and wanted to make something, and when I saw how inefficient the church I played drums at was with scheduling and communicating, I thought "I could fix this with technology." So I made an app that did calendaring, membership management, group communication, and even donation tracking. I definitely went overboard, but it was super fun and one of those things were I pretty much became obsessed with making it. So many ideas and interface experiments to try out, and I thought I might actually pull off doing this as a full time job at some point. Turns out that takes knowing how to actually sell something, though. Whoops.
Anyways, I didn't want to have all the support requests and bug reports go into my personal email, and I wanted one of those cool "feedback" tabs on the side. Instead of making all that stuff myself, I initially got GetSatisfaction. They turned out to be this bizarre protection racket thing for support, kinda like Yelp is for reviews. "Everyone is coming to this weird support portal thing thinking it's the official support place, it'd be a shame if people got bad support here." Nah. So one day I saw an ad on Daring Fireball for Zendesk and I signed up.
I got it all set up and was happily using it for my customers. Then I got an email from the Zendesk founder asking for some feedback. Turns out I was the only person using it by myself, which confused them since the whole point was using it as a support team. This led to a lot of emails and a kind of friendship around us both running a couple of fledgling Rails SAAS apps. They said they really liked my app, I gave them some quotes for their promo sheets, and they even asked me if I would go work for them. They had just moved to Boston from Copenhagen at the time, and I had no interest in moving there, so I passed.
At the time I was in SF working at Powerset, doing Stafftool on the side, usually working on it from like 8pm-2am. Eventually, Zendesk moved their headquarters into a building right down the street from our apartment. The Zendesk folks contacted me to let me know and invited me to their office warming party that the Tamale Lady (RIP) was catering. Here's a pic of me holding Pea (who's now 14) at it:
Not too long after, Powerset got bought by Microsoft. Those were the bad old Ballmer days and no one wanted to work for them. So, everyone was looking for a new job. I worked with Tom from GitHub at Powerset and almost became one of their first employees when he decided to quit and go full time, but their funding fell through and they could only afford to hire Scott. Damn. Then the Zendesk folks hit me up about working there instead of Microsoft. I told them I was interested, but Microsoft was going to pay a pretty hefty retention bonus if I stayed. They said they couldn't give me a bunch of cash like that, but they could give me a bunch of stock. I was like "why the hell would I care about Zendesk stock" in my head. Whoops. So, like an ass, I stayed at Microsoft.
After a couple years of hating it and learning vim and building laterstars to stay sane, I quit a year early and joined a few friends to help build BankSimple, which went on to become Simple. Being on an amazing founding team and building something that I cared about from the ground up was one of the best professional experiences of my life. I poured my heart and soul into building that shit. I even got to go on a bit of a speaking circuit, traveling all over the world telling people the story of designing it. It was a good time.
But, it had a dark side. My obsession with building stuff got my identity and self-worth a little too wrapped up with this pile of pixels and code. Simple was super overhyped with expectations from nerds that were impossible to meet, but I still ran Twitter searches all the time, ignoring the good stuff and fixating on the negative.
And then, a few years in, our VP of Product quit and I offered to run help product in his absence. One of the pieces of advice he gave me before leaving was to not join the Executive Leadership Team because you spent all your time in meetings that were essentially therapy sessions, and no time actually thinking about, let alone building, product. So I took his advice. I later realized that that all but guaranteed me not being taken seriously.
Eventually, a new VP of Product was hired. No one really understood the reasons for hiring them, but they were married to the CEO's friend, and, well, sometimes that's just how it goes. It turned out that we absolutely hated each other. They were 100% Business™, saying shit like "the Product org needs to assert our place and authority in the company" and I was (naively) 100% idealistic about the product, replying "uh, what about building good stuff for our customers," which went over like a lead balloon. I still loved the product and company, but it was clear this wasn't going to work out. I was super stressed and despondent over the turn of events.
One day I was at home sitting on the couch watching TV when all of the sudden I thought I was having a heart attack. My chest hurt like hell, feeling super tight, and I didn't know what the heck was going on. I went into urgent care and it turned out I had shingles on the entire left side of my body. Not cool.
Not long after, I had a meeting with the CEO where I kind of broke down about things. He told me I should take some time off, and I reluctantly agreed. My new boss, the VP of product they had just hired, told me there was "no shame in moving on from things" or some shit like that. I took a month or so off, and I realized I didn't actually need to work there anymore. It was kind of a revelation after thinking I'd be there for at least 10 years. I resigned before having another job lined up. Simple was super gracious and gave me a nice going away send off and a few weeks of pay.
By chance, Mikkel from Zendesk emailed me asking what I was up to while I was unemployed. One thing led to another, and I ended up finally working for them. They originally wanted to see if I'd be interested in moving back to SF to manage the product design org. After a polite "lol hell no am I moving back to SF," someone mentioned talking to Alexander, one of the co-founders, who had a side project he'd been working on. I came on board to work with him on that. Luckily, he said I should just stay up in Portland and build a small team here to stay away from the "enterprise bullshit." Little did I know this would be a pretty pivotal moment.
Ok, I promise this all ties into the book. That decision to let us be a "separate" team set the stage for this whole phase of my career. Some amazing Zendesk engineers were already working on it, and I hired a few more great folks and we worked on the project in relative peace. I still had to give status updates and at one point was made a General Manager when the company split things into product lines, but for the most part we were kinda living the "startup within a big company" lifestyle. I was doing all the design work myself, all the product stuff, talking to customers, putting decks together, and my team was a self-contained unit of engineers, whereas the rest of the company operated in a much more vertically siloed manner. Engineers reported up to the engineering org, designers were part of a completely separate org, and product was it's own thing as well.
We have always been viewed as the Weird Team up in Portland doing who-knows-what. For a long time we had the protection of the co-founder, but like most co-founder side projects, it ended up in failure. Luckily, instead of canning us all and calling it a day, the head of product told us to think of something else to work on that would contribute to the main product's bottom line. We were on the hook for $1M in recurring revenue within a year.
We ended up building a an add-on product that took some of the learning from the failed side project and ended up generating something like $3M that first year. We earned a little bit of capital by pulling that off, and for the next few years were pretty much left alone to keep growing that product. By last count, it was up to around $38M.
Ok, so that was pretty great! We pulled it off! But, along the way, there's been a constant tension in the back of my mind about My Career Path. In 6 years I've gotten one promotion, and that was kind of a perfunctory thing around the whole GM structure as far as I know. My team has hovered around ~5 people the whole time, while most of my peers have put tons of effort into growing their team and, by extension, influence. I'm quite a bit older than most of my peers, and many of them have "caught up" to my equivalent position while I've, by most accounts, stagnated.
And you know what? I'm kind of fine with it.
By all accounts, I have carved out a pretty incredible life. Relative autonomy at work, an amazing family, more money than I ever dreamed of having when I was younger. But more importantly, I've mostly managed to separate my identity and self-worth from my job. Sure, I like it, and I get satisfaction from making things and having a great team. But I've made peace with a less traditional career path than a normal corporate ladder climb, and have instead made it my goal to keep the good thing we've got going as long as we can, while shielding my crew from the Enterprise Bullshit.
And that's what this book is about.
While talking to a colleague who recently came back to the company after taking a year off to be unemployed and just live, we went pretty deep into our whole situation. He asked if I had read Orbiting the Giant Hairball. I said I hadn't, and I ordered it as soon as I got home that night. They didn't have a kindle version at the time (they do now, apparently) so I ordered the hardcover. I'm super glad I did. I'm a die hard ebook reader, dating back to reading shit on my Palm Pilot in the early 2000s, but this is definitely a book worth having a physical copy. A perfect small size and peppered with tons of whimsical full color illustrations throughout the funky layout, it's more like a poetry book than a Serious Business Book.
I dove in and was immediately struck by how much I related to everything he was saying. As proof that there's truly nothing new under the sun, this book was written in the 90s by a total hippy dude who worked at Hallmark for 30 years. On paper, that type of job couldn't be further from a person working a 2022 tech job, and yet it's all the same shit. All of it.
The tl;dr of the book is right there in the title. Early on he makes the analogy that companies of any size eventually turn into a giant tangled ball of hair, twisted around themselves to try to stick to and recreate any successes they've had in the past. More people get added to the mix in the name of growth, and just add more hair to the ball. And, like any hairball, the bigger it gets, the grosser it is.
And his solution is to extricate yourself from that hairball and orbit around it, finding the things that you connect with most that align with the organization's goals, but don't require you to get deep into the muck.
Without knowing it, I had been blindly trying to do what he laid out in the book, but without the 30 years of hindsight to articulate it. The thing that's funny is that I now have a sense of comfort in knowing that this is Just The Way Things Are for the most part. Businesses gonna business, humans gonna human. Same shit, different day.
I've recommended the book to a few friends over the past month or so when I see them going through a similar arc. I was recently talking to a younger colleague at work who's partnered up with my team on a relatively juicy project. It's gone through the full course of corporate shenanigans, and is a prime example of the whole hairball thing in real time. As we were talking, I explained how I have pretty much been the same level with the same sized team for six and a half years, and they were wondering why I'm still there. And I was like, you know, all things considered, it's a pretty damn good gig. I have a tight knit team who has, for the most part, been with me the entire time, and we are left alone enough that we can do good work that contributes to the company in, in my humble opinion, an outsized manner. I can do a day's work and not have to put in crazy hours or be consumed by it at all times of day. I've witnessed a bunch of colleagues chasing bigger teams and bigger titles, and, you know what? I'm good. If I can keep things going, essentially treating it like a puzzle to figure out how to keep our autonomy while contributing to the ever-growing company, I can't really ask for much more.
I recommended the book to them. A few days later we were chatting and they remarked that, after reading much of the book, everything we were talking about before made a lot more sense. They asked how long ago I read it, and I told them "oh, a month or two" and they were shocked. They were under the impression that I read it a super long time ago and had consciously shaped my whole tenure there trying to accomplish the same arc. But nope, I've just been stumbling along, happening to land on a path very similar to what folks like him figured out countless times before me.
So, yeah. If you've actually read this far and any of that resonated with you, I heartily recommend this book. Attempting any type of orbit can be scary and a bit dangerous, but once you experience the weightlessness of it, there's no going back.
Using
Procreate
When I started drawing again, I tried out a bunch of different apps. I was kinda shocked at how good the whole iPad/Pencil drawing ecosystem is. The main apps I landed on were Concepts, Tayasui Sketch, and Procreate. They're all really great. I'll probably talk about Concepts in the next issue, but Procreate is definitely the Big Dogg. On the surface it seemed pretty standard, not all that different from the others. I remember buying it ages ago when it first came out, but only did a few scribbles. In the intervening 10 years it's become a damn powerhouse that apparently dominates the whole digital art space. It took watching this Procreate for absolute beginners Skillshare class by Molly Suber Thorpe (get both of us a free month of Skillshare here, it's pretty great). Watching this made me realize it's not just a Photoshop clone, but a drawing/painting app built from the ground up for touch interfaces, and it really shows. Tons of thoughtful features and interactions, way more power than I'll ever use, and a vibrant community of people making new classes, brushes, textures, and kits for it. I got the Sketchbook Artist Bundle and it's pretty great. So yeah, if you have any interest in drawing on your iPad, get Procreate (only $10 and no bullshit subscription) and do it!
Readwise Reader
I've been lucky enough to be a beta tester for this, and got damn is it great. I built a read later app back in 2010 called laterstars that was built on top of pulling links out of twitter faves, and Readwise Reader definitely feels like the spiritual successor to it – tons of keyboard shortcuts, an inbox/archive workflow, extracted articles, etc. It goes way beyond what I did, though, with ambitions to be a one-stop shop for anything you'd like to read and highlight. It's really quite incredible.
And, it's of course built on top of the core Readwise service for aggregating your highlights from all across the web, which makes it super easy to save things for spaced repetition and getting things into Obsidian, etc. I can't show you anything yet or give many details, but believe me when I say these folks are really onto something. Sign up here for a free month!
Wearing
Icebreaker socks are the absolute best socks I have ever worn. I know I'm old because I'm raving about socks, but hear me out. I have gone through the entire arc of sock wearing over my lifetime. Starting out as a kid with the 70s/80s calf-high striped ones, to rando white ones for many many years, to black socks when I was told white socks were not cool, to a whole variety in middle age. There was a time when I wanted to get rid of all my socks and get a shit ton of the same exact ones so I wouldn't have to think about it anymore. Jen ordered me a whole bunch as a gift at one point, multiple packs of the same socks. It was beautiful. But, wouldn't you know it, even though she ordered all the same stuff, they were still slightly different from pack to pack. There was no winning.
So, after that experience, I drifted back to more "creative" socks over the years, as the designs got nicer and I had more money to spend on stupid shit like that. I tried Stance, SmartWool, even some of those toe socks. They were all pretty nice, and I thought they were "high quality" since they were the same price for one pair as a pack of Hanes or whatever. Without fail, though, they all ended up with a hole where my abnormally longer than the rest of my toes big toe went. Every damn time. And if that didn't happen, the back heel area got worn through really quickly.
Enter Icebreaker.
I got some of these and they didn't feel much different than the other merino wool ones, but, man, do they last. I've had a variety of models and weights, but they've all been excellent. The best are the "anatomical fit" styles that tell you which foot to put them on, so they conform to your toe box better and you don't get that weird feeling when they're worn in more for the other foot. It's the little things.
Ok, so these fit great and feel great, and they're merino wool so they don't get stinky too fast. And did I mention they last? I've had some for literally years without getting holes in them. I don't know how they do this, but the pulled it off. My knife feet, previously undefeated, are no match for this shit. However, one of my oldest and most worn pair eventually did get a slight big toe hole. Haha! I've still got it.
This is where shit gets wild.
I had heard legend of a lifetime guarantee they have where they'll straight up replace socks if they get holes in them. It was a big factor in spending the money on them, but I never really got to test it out since they lasted so damn long. But when I finally felt that first hole, it was time to put it to the test. I took that pair and another that was starting to show some thinness near the heels into the store and kinda sheepishly asked them if I could exchange them. It felt super weird bringing in old ass socks and asking for a replacement, like the people who buy shit at Costco and use it for 7 years then go in demanding a refund when it inevitably gets damaged. But, if this sock thing was actually true, then the game has changed for me.
To my shock, they exchanged the damn socks, no questions asked.
Needless to say, I will never buy socks from any other company. The thing that's wild, though, is that I may never need to actually buy socks ever again until Icebreaker goes out of business from me returning expensive socks or the giant meteor finally takes us all out.
Wasting money on
Cool S Clock. Totally worthless, but cool as hell. Definitely going on the wall in back of me so it shows up in Zoom calls. Available on Redbubble.
Listening to
- Resilience and Despair by QAALM – first off, my dogg Brock rules. I've been in two bands with him, he was in my wedding, and he's just an all around rad dude. He's in this band, and it fucking crushes. Atmospheric doom clocking in at no less than 15 minutes per song. Super stoked to hear this after they've been working on it for so long and that it's getting a great reception.
- Out of the Woods by Oregon – I remember seeing this album in my dad's record collection for ages and being intrigued by the album art. Now, like 35 years later, I totally get it. Haunting, complex, yet relaxing jazz fusion stuff.
Cooking
Eggplant curry – we had some friends (the family of a friend Pea has had since kindergarten) over for the first time since Covid started, and I kinda went a bit overboard with the menu I put together to cook. It was a whole middle easternish type of thing. I pulled it off by the skin of my teeth, still cooking when they arrived, and everything turned out pretty well. This curry was super tasty, definitely recommended.
Seeing
No shows this week, but I do have tickets to see Opeth and Mastodon coming up, which should kick ass 🤘🏼 My pal Zac saw the show in Chicago and said it ruled, so I'm stoked.
Drawing
Just finished this one up:
This one was pretty tough for some reason. There's a lot of nuance in her expression, and at first I just didn't have the placement of features correct. After tons of erasing and starting areas over, and a bit of cheating by overlaying my drawing on the reference photo to make sure things were in the right spot, things started to flow. I feel guilty for cheating, but not too much since all the detail was done by sight once I was sure the placement of the features wasn't too far off.
This is one of those things I struggle with a bit. Is it actually "cheating" to take advantage of the ease the ipad makes overlaying images? I know the old timers made use of similar cheats to aid accuracy. I'm really trying to to just have fun and not care about the “purity” of it all.
Laughing at
Too real.
Learning about
Interstitial Journaling – basically, this is just writing down a timestamped log of what you're doing or have just finished, and what you're going to do next, throughout the day. Seems pretty basic and maybe even pointless, but it definitely seems like there's some good thinking behind it. It's essentially a way to be more mindful of what your intentions are throughout the day, and what prevents you from focusing on those things. There are lots of apps that can do this automatically for you, but the whole point here is the real-time reflection throughout the day to keep you focused on your accomplishments, struggles, and what's next.
I've been giving this a try for the past week or so. It's not as easy as it seems. I of course have wrapped myself around the axle trying to figure out the best technology solution for it (should I use Drafts quick capture throughout the day and then figure out a way to automatically import them into Obsidian? Should I build a Raycast extension that makes it easy directly from there? Should I just do it ... on paper?). But it's also difficult to remember to do it... which I guess is the whole point. I keep thinking I should maybe use Day One with it's reminders and quick entry prompts. Or maybe use Session to also do the whole pomodoro thing and record thoughts after them.
I don't know. The times I've actually gone a full day writing most things down, it's pretty great. I suppose I just need to keep at it. If you've tried this, or have any pointers, let me know!
Watching
- Just started the second season of Raised By Wolves. It's getting pretty wild. Trying to get through this season so we can move on to Severance.
- Learning about the Asian Squat
- My cousin's YouTube channel where she does stuff like reaction videos to Infant Annihilator songs
Newsletter – Issue 2
Portland, OR – Portland: ☀️ +41°F
Also, today is my wife’s 40th birthday!! I’m extremely lucky to have her in my life, and I love her with all my heart. We’re throwing a big party tomorrow to make up for her 10th birthday 30 years ago that no one showed up to because of the LA riots. Here she is looking super beautiful and cute as heck in her EGL dress while holding a fake raven:
Shit I’m…
Reading
(This turned out much longer than I anticipated, but hopefully you find it worthwhile. Take a seat as Grandpa Toby spins a yarn.)
My current job at Zendesk is kinda unique. I’ve been there around six and a half years, which is the longest I’ve ever been at one place. I was originally hired on due to some interesting circumstances. Back in 2008 or so, I had a side project app I had made called Stafftool that was a web based product for managing churches and non-profits. It was pretty wild. I had been into Ruby on Rails for a year or two at that point and wanted to make something, and when I saw how inefficient the church I played drums at was with scheduling and communicating, I thought “I could fix this with technology.” So I made an app that did calendaring, membership management, group communication, and even donation tracking. I definitely went overboard, but it was super fun and one of those things were I pretty much became obsessed with making it. So many ideas and interface experiments to try out, and I thought I might actually pull off doing this as a full time job at some point. Turns out that takes knowing how to actually sell something, though. Whoops.
Anyways, I didn’t want to have all the support requests and bug reports go into my personal email, and I wanted one of those cool “feedback” tabs on the side. Instead of making all that stuff myself, I initially got GetSatisfaction. They turned out to be this bizarre protection racket thing for support, kinda like Yelp is for reviews. “Everyone is coming to this weird support portal thing thinking it’s the official support place, it’d be a shame if people got bad support here.” Nah. So one day I saw an ad on Daring Fireball for Zendesk and I signed up.
I got it all set up and was happily using it for my customers. Then I got an email from the Zendesk founder asking for some feedback. Turns out I was the only person using it by myself, which confused them since the whole point was using it as a support team. This led to a lot of emails and a kind of friendship around us both running a couple of fledgling Rails SAAS apps. They said they really liked my app, I gave them some quotes for their promo sheets, and they even asked me if I would go work for them. They had just moved to Boston from Copenhagen at the time, and I had no interest in moving there, so I passed.
At the time I was in SF working at Powerset, doing Stafftool on the side, usually working on it from like 8pm-2am. Eventually, Zendesk moved their headquarters into a building right down the street from our apartment. The Zendesk folks contacted me to let me know and invited me to their office warming party that the Tamale Lady (RIP) was catering. Here’s a pic of me holding Pea (who’s now 14) at it:
Not too long after, Powerset got bought by Microsoft. Those were the bad old Ballmer days and no one wanted to work for them. So, everyone was looking for a new job. I worked with Tom from GitHub at Powerset and almost became one of their first employees when he decided to quit and go full time, but their funding fell through and they could only afford to hire Scott. Damn. Then the Zendesk folks hit me up about working there instead of Microsoft. I told them I was interested, but Microsoft was going to pay a pretty hefty retention bonus if I stayed. They said they couldn’t give me a bunch of cash like that, but they could give me a bunch of stock. I was like “why the hell would I care about Zendesk stock” in my head. Whoops. So, like an ass, I stayed at Microsoft.
After a couple years of hating it and learning vim and building laterstars to stay sane, I quit a year early and joined a few friends to help build BankSimple, which went on to become Simple. Being on an amazing founding team and building something that I cared about from the ground up was one of the best professional experiences of my life. I poured my heart and soul into building that shit. I even got to go on a bit of a speaking circuit, traveling all over the world telling people the story of designing it. It was a good time.
But, it had a dark side. My obsession with building stuff got my identity and self-worth a little too wrapped up with this pile of pixels and code. Simple was super overhyped with expectations from nerds that were impossible to meet, but I still ran Twitter searches all the time, ignoring the good stuff and fixating on the negative.
And then, a few years in, our VP of Product quit and I offered to run help product in his absence. One of the pieces of advice he gave me before leaving was to not join the Executive Leadership Team because you spent all your time in meetings that were essentially therapy sessions, and no time actually thinking about, let alone building, product. So I took his advice. I later realized that that all but guaranteed me not being taken seriously.
Eventually, a new VP of Product was hired. No one really understood the reasons for hiring them, but they were married to the CEO’s friend, and, well, sometimes that’s just how it goes. It turned out that we absolutely hated each other. They were 100% Business™, saying shit like “the Product org needs to assert our place and authority in the company” and I was (naively) 100% idealistic about the product, replying “uh, what about building good stuff for our customers,” which went over like a lead balloon. I still loved the product and company, but it was clear this wasn’t going to work out. I was super stressed and despondent over the turn of events.
One day I was at home sitting on the couch watching TV when all of the sudden I thought I was having a heart attack. My chest hurt like hell, feeling super tight, and I didn’t know what the heck was going on. I went into urgent care and it turned out I had shingles on the entire left side of my body. Not cool.
Not long after, I had a meeting with the CEO where I kind of broke down about things. He told me I should take some time off, and I reluctantly agreed. My new boss, the VP of product they had just hired, told me there was “no shame in moving on from things” or some shit like that. I took a month or so off, and I realized I didn’t actually need to work there anymore. It was kind of a revelation after thinking I’d be there for at least 10 years. I resigned before having another job lined up. Simple was super gracious and gave me a nice going away send off and a few weeks of pay.
By chance, Mikkel from Zendesk emailed me asking what I was up to while I was unemployed. One thing led to another, and I ended up finally working for them. They originally wanted to see if I’d be interested in moving back to SF to manage the product design org. After a polite “lol hell no am I moving back to SF,” someone mentioned talking to Alexander, one of the co-founders, who had a side project he’d been working on. I came on board to work with him on that. Luckily, he said I should just stay up in Portland and build a small team here to stay away from the “enterprise bullshit.” Little did I know this would be a pretty pivotal moment.
Ok, I promise this all ties into the book. That decision to let us be a “separate” team set the stage for this whole phase of my career. Some amazing Zendesk engineers were already working on it, and I hired a few more great folks and we worked on the project in relative peace. I still had to give status updates and at one point was made a General Manager when the company split things into product lines, but for the most part we were kinda living the “startup within a big company” lifestyle. I was doing all the design work myself, all the product stuff, talking to customers, putting decks together, and my team was a self-contained unit of engineers, whereas the rest of the company operated in a much more vertically siloed manner. Engineers reported up to the engineering org, designers were part of a completely separate org, and product was it’s own thing as well.
We have always been viewed as the Weird Team up in Portland doing who-knows-what. For a long time we had the protection of the co-founder, but like most co-founder side projects, it ended up in failure. Luckily, instead of canning us all and calling it a day, the head of product told us to think of something else to work on that would contribute to the main product’s bottom line. We were on the hook for $1M in recurring revenue within a year.
We ended up building a an add-on product that took some of the learning from the failed side project and ended up generating something like $3M that first year. We earned a little bit of capital by pulling that off, and for the next few years were pretty much left alone to keep growing that product. By last count, it was up to around $38M.
Ok, so that was pretty great! We pulled it off! But, along the way, there’s been a constant tension in the back of my mind about My Career Path. In 6 years I’ve gotten one promotion, and that was kind of a perfunctory thing around the whole GM structure as far as I know. My team has hovered around ~5 people the whole time, while most of my peers have put tons of effort into growing their team and, by extension, influence. I’m quite a bit older than most of my peers, and many of them have “caught up” to my equivalent position while I’ve, by most accounts, stagnated.
And you know what? I’m kind of fine with it.
By all accounts, I have carved out a pretty incredible life. Relative autonomy at work, an amazing family, more money than I ever dreamed of having when I was younger. But more importantly, I’ve mostly managed to separate my identity and self-worth from my job. Sure, I like it, and I get satisfaction from making things and having a great team. But I’ve made peace with a less traditional career path than a normal corporate ladder climb, and have instead made it my goal to keep the good thing we’ve got going as long as we can, while shielding my crew from the Enterprise Bullshit.
And that’s what this book is about.
While talking to a colleague who recently came back to the company after taking a year off to be unemployed and just live, we went pretty deep into our whole situation. He asked if I had read Orbiting the Giant Hairball. I said I hadn’t, and I ordered it as soon as I got home that night. They didn’t have a kindle version at the time (they do now, apparently) so I ordered the hardcover. I’m super glad I did. I’m a die hard ebook reader, dating back to reading shit on my Palm Pilot in the early 2000s, but this is definitely a book worth having a physical copy. A perfect small size and peppered with tons of whimsical full color illustrations throughout the funky layout, it’s more like a poetry book than a Serious Business Book.
I dove in and was immediately struck by how much I related to everything he was saying. As proof that there’s truly nothing new under the sun, this book was written in the 90s by a total hippy dude who worked at Hallmark for 30 years. On paper, that type of job couldn’t be further from a person working a 2022 tech job, and yet it’s all the same shit. All of it.
The tl;dr of the book is right there in the title. Early on he makes the analogy that companies of any size eventually turn into a giant tangled ball of hair, twisted around themselves to try to stick to and recreate any successes they’ve had in the past. More people get added to the mix in the name of growth, and just add more hair to the ball. And, like any hairball, the bigger it gets, the grosser it is.
And his solution is to extricate yourself from that hairball and orbit around it, finding the things that you connect with most that align with the organization’s goals, but don’t require you to get deep into the muck.
Without knowing it, I had been blindly trying to do what he laid out in the book, but without the 30 years of hindsight to articulate it. The thing that’s funny is that I now have a sense of comfort in knowing that this is Just The Way Things Are for the most part. Businesses gonna business, humans gonna human. Same shit, different day.
I’ve recommended the book to a few friends over the past month or so when I see them going through a similar arc. I was recently talking to a younger colleague at work who’s partnered up with my team on a relatively juicy project. It’s gone through the full course of corporate shenanigans, and is a prime example of the whole hairball thing in real time. As we were talking, I explained how I have pretty much been the same level with the same sized team for six and a half years, and they were wondering why I’m still there. And I was like, you know, all things considered, it’s a pretty damn good gig. I have a tight knit team who has, for the most part, been with me the entire time, and we are left alone enough that we can do good work that contributes to the company in, in my humble opinion, an outsized manner. I can do a day’s work and not have to put in crazy hours or be consumed by it at all times of day. I’ve witnessed a bunch of colleagues chasing bigger teams and bigger titles, and, you know what? I’m good. If I can keep things going, essentially treating it like a puzzle to figure out how to keep our autonomy while contributing to the ever-growing company, I can’t really ask for much more.
I recommended the book to them. A few days later we were chatting and they remarked that, after reading much of the book, everything we were talking about before made a lot more sense. They asked how long ago I read it, and I told them “oh, a month or two” and they were shocked. They were under the impression that I read it a super long time ago and had consciously shaped my whole tenure there trying to accomplish the same arc. But nope, I’ve just been stumbling along, happening to land on a path very similar to what folks like him figured out countless times before me.
So, yeah. If you’ve actually read this far and any of that resonated with you, I heartily recommend this book. Attempting any type of orbit can be scary and a bit dangerous, but once you experience the weightlessness of it, there’s no going back.
Using
Procreate
When I started drawing again, I tried out a bunch of different apps. I was kinda shocked at how good the whole iPad/Pencil drawing ecosystem is. The main apps I landed on were Concepts, Tayasui Sketch, and Procreate. They’re all really great. I’ll probably talk about Concepts in the next issue, but Procreate is definitely the Big Dogg. On the surface it seemed pretty standard, not all that different from the others. I remember buying it ages ago when it first came out, but only did a few scribbles. In the intervening 10 years it’s become a damn powerhouse that apparently dominates the whole digital art space. It took watching this Procreate for absolute beginners Skillshare class by Molly Suber Thorpe (get both of us a free month of Skillshare here, it’s pretty great). Watching this made me realize it’s not just a Photoshop clone, but a drawing/painting app built from the ground up for touch interfaces, and it really shows. Tons of thoughtful features and interactions, way more power than I’ll ever use, and a vibrant community of people making new classes, brushes, textures, and kits for it. I got the Sketchbook Artist Bundle and it’s pretty great. So yeah, if you have any interest in drawing on your iPad, get Procreate (only $10 and no bullshit subscription) and do it!
Readwise Reader
I’ve been lucky enough to be a beta tester for this, and got damn is it great. I built a read later app back in 2010 called laterstars that was built on top of pulling links out of twitter faves, and Readwise Reader definitely feels like the spiritual successor to it – tons of keyboard shortcuts, an inbox/archive workflow, extracted articles, etc. It goes way beyond what I did, though, with ambitions to be a one-stop shop for anything you’d like to read and highlight. It’s really quite incredible.
And, it’s of course built on top of the core Readwise service for aggregating your highlights from all across the web, which makes it super easy to save things for spaced repetition and getting things into Obsidian, etc. I can’t show you anything yet or give many details, but believe me when I say these folks are really onto something. Sign up here for a free month!
Wearing
Icebreaker socks are the absolute best socks I have ever worn. I know I’m old because I’m raving about socks, but hear me out. I have gone through the entire arc of sock wearing over my lifetime. Starting out as a kid with the 70s/80s calf-high striped ones, to rando white ones for many many years, to black socks when I was told white socks were not cool, to a whole variety in middle age. There was a time when I wanted to get rid of all my socks and get a shit ton of the same exact ones so I wouldn’t have to think about it anymore. Jen ordered me a whole bunch as a gift at one point, multiple packs of the same socks. It was beautiful. But, wouldn’t you know it, even though she ordered all the same stuff, they were still slightly different from pack to pack. There was no winning.
So, after that experience, I drifted back to more “creative” socks over the years, as the designs got nicer and I had more money to spend on stupid shit like that. I tried Stance, SmartWool, even some of those toe socks. They were all pretty nice, and I thought they were “high quality” since they were the same price for one pair as a pack of Hanes or whatever. Without fail, though, they all ended up with a hole where my abnormally longer than the rest of my toes big toe went. Every damn time. And if that didn’t happen, the back heel area got worn through really quickly.
Enter Icebreaker.
I got some of these and they didn’t feel much different than the other merino wool ones, but, man, do they last. I’ve had a variety of models and weights, but they’ve all been excellent. The best are the “anatomical fit” styles that tell you which foot to put them on, so they conform to your toe box better and you don’t get that weird feeling when they’re worn in more for the other foot. It’s the little things.
Ok, so these fit great and feel great, and they’re merino wool so they don’t get stinky too fast. And did I mention they last? I’ve had some for literally years without getting holes in them. I don’t know how they do this, but the pulled it off. My knife feet, previously undefeated, are no match for this shit. However, one of my oldest and most worn pair eventually did get a slight big toe hole. Haha! I’ve still got it.
This is where shit gets wild.
I had heard legend of a lifetime guarantee they have where they’ll straight up replace socks if they get holes in them. It was a big factor in spending the money on them, but I never really got to test it out since they lasted so damn long. But when I finally felt that first hole, it was time to put it to the test. I took that pair and another that was starting to show some thinness near the heels into the store and kinda sheepishly asked them if I could exchange them. It felt super weird bringing in old ass socks and asking for a replacement, like the people who buy shit at Costco and use it for 7 years then go in demanding a refund when it inevitably gets damaged. But, if this sock thing was actually true, then the game has changed for me.
To my shock, they exchanged the damn socks, no questions asked.
Needless to say, I will never buy socks from any other company. The thing that’s wild, though, is that I may never need to actually buy socks ever again until Icebreaker goes out of business from me returning expensive socks or the giant meteor finally takes us all out.
Wasting money on
Cool S Clock. Totally worthless, but cool as hell. Definitely going on the wall in back of me so it shows up in Zoom calls. Available on Redbubble.
Listening to
- Resilience and Despair by QAALM – first off, my dogg Brock rules. I’ve been in two bands with him, he was in my wedding, and he’s just an all around rad dude. He’s in this band, and it fucking crushes. Atmospheric doom clocking in at no less than 15 minutes per song. Super stoked to hear this after they’ve been working on it for so long and that it’s getting a great reception.
- Out of the Woods by Oregon – I remember seeing this album in my dad’s record collection for ages and being intrigued by the album art. Now, like 35 years later, I totally get it. Haunting, complex, yet relaxing jazz fusion stuff.
Cooking
Eggplant curry – we had some friends (the family of a friend Pea has had since kindergarten) over for the first time since Covid started, and I kinda went a bit overboard with the menu I put together to cook. It was a whole middle easternish type of thing. I pulled it off by the skin of my teeth, still cooking when they arrived, and everything turned out pretty well. This curry was super tasty, definitely recommended.
Seeing
No shows this week, but I do have tickets to see Opeth and Mastodon coming up, which should kick ass 🤘🏼 My pal Zac saw the show in Chicago and said it ruled, so I’m stoked.
Drawing
Just finished this one up:
This one was pretty tough for some reason. There’s a lot of nuance in her expression, and at first I just didn’t have the placement of features correct. After tons of erasing and starting areas over, and a bit of cheating by overlaying my drawing on the reference photo to make sure things were in the right spot, things started to flow. I feel guilty for cheating, but not too much since all the detail was done by sight once I was sure the placement of the features wasn’t too far off.
This is one of those things I struggle with a bit. Is it actually “cheating” to take advantage of the ease the ipad makes overlaying images? I know the old timers made use of similar cheats to aid accuracy. I’m really trying to to just have fun and not care about the “purity” of it all.
Laughing at
Too real.
Learning about
Interstitial Journaling – basically, this is just writing down a timestamped log of what you’re doing or have just finished, and what you’re going to do next, throughout the day. Seems pretty basic and maybe even pointless, but it definitely seems like there’s some good thinking behind it. It’s essentially a way to be more mindful of what your intentions are throughout the day, and what prevents you from focusing on those things. There are lots of apps that can do this automatically for you, but the whole point here is the real-time reflection throughout the day to keep you focused on your accomplishments, struggles, and what’s next.
I’ve been giving this a try for the past week or so. It’s not as easy as it seems. I of course have wrapped myself around the axle trying to figure out the best technology solution for it (should I use Drafts quick capture throughout the day and then figure out a way to automatically import them into Obsidian? Should I build a Raycast extension that makes it easy directly from there? Should I just do it … on paper?). But it’s also difficult to remember to do it… which I guess is the whole point. I keep thinking I should maybe use Day One with it’s reminders and quick entry prompts. Or maybe use Session to also do the whole pomodoro thing and record thoughts after them.
I don’t know. The times I’ve actually gone a full day writing most things down, it’s pretty great. I suppose I just need to keep at it. If you’ve tried this, or have any pointers, let me know!
Watching
- Just started the second season of Raised By Wolves. It’s getting pretty wild. Trying to get through this season so we can move on to Severance.
- Learning about the Asian Squat
- My cousin’s YouTube channel where she does stuff like reaction videos to Infant Annihilator songs
Issue 1
I dunno, I guess I’m going through a bit of a mid life crisis. I’m 45, which, if I’m lucky, is pretty much smack dab in the middle of the ~4500 weeks I’ll have on this planet, and all the things that sound like cliches are kinda true. My hair, which has always been black and thickly luxurious, is much thinner than it used to be. I’m still waiting for my Mitt Romneys to come in, though. And now I have shitty quarantine long hair that’s usually in a little man bun like four years after the trend. So yeah.
Leading up to now, Jen and I were separated for a year back in 2019 - 2020, and I was pretty much resigned to the fact that I was going to be another 40-something divorcee. That was a damn wake up call. That whole experience made time slow down and stretch out much like how years felt when I was a kid. So much shit packed into one short year that felt like 3. Happily, we worked things out and I feel like I have a new lease on life. Being on the edge, just about to fall off, can really wake your ass up. I don’t want to fuck things up again.
So, lots of changes have been and will always be in order from now on. Therapy, meds, mindfulness, yoga, all the usual stuff. And I suppose this newsletter is part of all that. I’ve always been reluctant to share anything because what the hell does anyone care about anything I have to say? But, I guess one good thing about getting old is the increasing ability to say “fuck it” and care a bit less than I used to.
So, hope you enjoy. Smash the like and subscribe button, etc, and reply if you want to talk about anything here!
Shit I’m…
Reading
- The Dark Forest - book 2 in the Remembrance of Earth’s Past trilogy. I’ve never read much science fiction in the past, but these are pretty cool. If you’re not familiar, it’s written by a Chinese author, and the translations are pretty interesting. They feel much more … I dunno, descriptive than books written in native English. There are some cool concepts at play, and the second book is quite different from the first.
- The Daily Stoic – yeah, I know. Cheesy self-help, pop-psychology, Broicism™, blah blah. But I dunno, it’s just a nice way to start the day (when I remember to). Ultimately, it’s just a good reminder to not sweat the small shit and just pay attention to the things you can actually control. Seems obvious and easy, but, brains are not very smart. A minute to learn, a lifetime to master, etc.
Using
- Obsidian – basically just a plain text / markdown editor. But, they’ve managed to get pretty much everything right with how I’d want to build up my collection of ideas and notes. There’s a whole “Personal Knowledge Management revolution” going on right now, mostly credited to a rediscovery of the Zettelkasten method and the popularity (and subsequent downfall?) of Roam Research. Basically, it’s taking a bunch of notes and easily linking them together from the text so you can have your own mini wikipedia or something along those lines. I’m a nerd who loves new apps and tinkering and this shit is right up my alley. The rabbit hole goes deep, and it’s flexible enough to look and act pretty much however you want if you put in the time with the right themes and plugins. It’s pretty much emacs for normals and I’m here for it.
- Raycast – this is pretty much the latest iteration of the whole launcher app idea that started with Quicksilver back in the day, which led to Launchbar and, most recently, Alfred. Those are all great and, in my opinion, necessary tools for using a computer, but Raycast feels like the next generation of the idea. It’s based on javascript, of course, and has a built in extension browser, etc. But, it also incorporates the nearly-ubiquitous command-k command palette approach to things you navigate to, and has the ability to interact with web APIs baked right in. This means you can do things like create Jira tickets right from it instead of having to open that piece of shit in your browser.
Wearing
- Cardigan – I got this cardigan for Christmas when it was on sale and I shit you not, I’ve worn it pretty much every day since. This plus my house shoes makes me feel like Mr. Rogers. My friend Zac described it as “feral” and that feels about right.
Automating
- Home automation – I’ve gone all in with HomeKit since everything I have is Apple for the most part. This means at any given point it’s hard to tell if I just misconfigured something, the network is being crappy, or if the house is haunted. HomeKit doesn’t have as much stuff out there as Alexa and whatnot, but Homebridge makes it pretty good. for the most part, though, it’s Hue and Lutron lights that turn on and off by themselves using some Aqara motion sensors. I’ll write some more specific stuff about all this in future issues.
- Personal automation – this is mostly just stuff around using shortcuts to automate things. The main thing lately is using focus modes to automate things like turning zoom, my webcam app, and diffused light on for video calls and whatnot. I’ll write some of this up in the future as well when I have it more dialed in.
Listening to
- Luminist – Metroid Resynthesized — this is an album I’ve been looking for since I was like 13 or whenever I first started playing Metroid on the NES. That game’s music has never been surpassed (Marble Madness comes close) but the only renditions available that I knew of were the actual 8-bit game music and the band covers like The Advantage, Minibosses, and Stemage. I loved them all, but when I heard this Luminist version it was like a layer of grime was taken off of the music. It’s a perfectly faithful rendition, just more lush and high resolution, and pretty much perfect.
- Messa – Close — a friend excitedly recommended this to us in our music slack describing it as a mix of doom, atmospheric goth rock, and straight jazz. Which, hell yeah. First listen… hmm. Second listen, ok there’s some cool stuff here… Third, fourth listens, HOLY SHIT. It’s incredible. Definite contender for album of the year.
Cooking
- Superiority Burger – our 8 year old wanted to go vegetarian, so I’ve been trying out a bunch of recipes. I remembered that Brooks Headley (of Universal Order of Armageddon, Born Against, etc.) is now a world famous vegan chef who invented a veggie burger that’s veggie/grain forward instead of pretending to be meat with beet juice blood and whatnot. He’s based in NYC, but his Superiority Burger had a popup here in Portland a few years ago. Unfortunately, I found out about it too late. So, I found a recipe online and made it a few weeks ago. It’s pretty involved, but damn good. Give it a try!
Seeing
Live music is back, and I’m like a pig in shit. Here are some shows I went to recently:
Yob — My first show after 2 years of quarantine. What a way to come back. The drummer from Brothers of the Sonic Cloth was filling in for the tour, and he was killer. As usual, a crushing and beautiful experience.
Shiner — I discovered Shiner 20 years too late during Covid. After falling in love with Hum’s Inlet album, Shiner was a revelation. The Egg is an amazing album, and when I saw they were going to be playing Doug Fir when I was at the Yob show I mad a mental note to go, but of course forgot. Luckily I got an email or something reminding me about it, and man am I glad I did. They sounded great, played for a long time, and were heavy as hell. They even played a few encore songs.
Jonah’s Onelinedrawing opened, which was kinda funny/weird. He’s the singer from Far doing a solo singer-with-guitar thing. Not really my jam, and he’s pretty extra. He did play a version of the good Far song, which was cool.
Back story: I payed drums for Gehenna back in like 1995 for a small west coat tour with Integrity. We hooked up with Far and Damnation AD for a couple shows. One of them was at some line dancing club in Sacramento. My drums were on the tallest drum riser I’ve ever seen. There were like 30 people there or something. While we were playing something happened and the club wanted us to stop for some reason. We kept playing the song we were in the middle of and Jonah was freaking out telling us to stop. He probably didn’t want the show to get shut down because they hadn’t played yet or something. He ended up unplugging out amps like a dickhead. So yeah, that’s Jonah.
Deftones — the first “big” show since lockdown. I bought the ticket like 2 years ago and it was postponed a few times, but it finally happened. It was at the Moda Center where the Blazers play, which is pretty wild since the last time I saw them was in like 2012 at the Crystal Ballroom with Alex.
The opening band was called VOWWS and they were whatever. A two piece guitar + keyboards thing trying real hard to be goth with trench coats and stuff. Pass.
Next up was Gojira. Las time I saw Gojira was at the Hawthorne theater opening for Devin Townsend Project, so seeing them in a huge venue was pretty wild. They’re really fun live and they know how to work an audience. They’re famous for their weird guitar slidey screechy thing and wild double bass drumming, but I never realized how they can get down with some four-on-the-floor, meat and potatoes headbanging stuff. Pretty fun.
Then Deftones came out. Apparently it was the first show of their whole tour, so basically the first time playing a show in like 2 years or so. The sound was pretty crap for the first few songs, but it got better and they got more into their groove. It was pretty funny seeing how they guitar player is still a dude wearing big ass baggy shorts and long hair, Chino is Chino, and they had a new bass player after Sergio from Quicksand quit last year. They played Diamond Eyes, which was what I was mainly hoping for. They also played one of their songs from the deep Nü Metal days.
Monolord — Jen bought me tickets for this show at Dante’s for my birthday last year, which was awesome because I had no idea they were even touring. I’d never seen them live, but have played the shit out of their albums over the last couple years (especially the instrumental versions that are excellent work music).
First up was Simple Forms, which is the bass player from Yob’s side band with his brother on vocals. They were pretty cool and pretty unique.
Then Firebreather was up. They’re pretty much Sweden’s answer to High On Fire. Pretty ballsy. I need to listen to their album some more.
Then Monolord took the stage. A power trio’s power trio. Their drummer had his UNFUCK EVERYTHING shirt on and signature slicked back hair, and the bass player was dressed like a Scandinavian Les Claypool or something. The guitarist/singer looked the regular part, skinny with long ass hair. He had one of my favorite tattoos I’ve seen too.
They fuckin' brought it. Crushing riff after crushing riff for more than an hour. It was everything I hoped it would be.
Earthless — first up was Dommengang. They played pretty great psych rock stuff, and their drummer was super fun to watch. The guitar player kinda looked like a young Michael McDonald, hell yeah. Apparently they’re from Portland too, pretty cool stuff.
Earthless took the stage and proceeded to do like a 20 minute mellow intro buildup thing. Honestly, it was getting kinda old. Like, I know 20 minute songs is their thing, but this was kinda ridiculous and a bit boring.
Finally, though, they started to ratchet things up. Building and building and building until things started to hit ridiculous levels of energy and shred. It was pretty glorious. A couple encores as well. I should have known better than to doubt them.
Sunless — a tiny metal show at a shitty bar (High Water Mark).
Nature is healing.
First band was Magdalene. The guys I’m currently playing music with used to be in this band, but quit for Artistic Differences or something. They were pretty cool. Their album is rad.
Next was Aseitas. The dudes in the band were super nerdy and one of the guitar players had a ridiculous medieval axe looking guitar and dangly feather earrings. They were pretty great. Just super technical nerdy shit that I love.
Then Noctambulist, the band touring with Sunless played. They were pretty good death metal, not really my thing.
Then Sunless came on. Holy shit. I’ve loved their albums for a few years now, and I kinda equated them as a newer, younger Gorguts. I wasn’t really anticipating their live show though. Their bass player is a tall nerdy guy with glasses, a beard, and dreads that literally go down to his shins and a six string bass (of course). The guitar player looked like a cross between Nautas Kaupas and Hank Schrader from Breaking Bad wearing a black leather jacket. The drummer was a Normal Looking Dude.
They started playing, and it was pretty unreal. The guitar player is singing and doing these wildly technical single note picking parts the whole time. The bass player sets up his dreads to hang in front of them so they’re almost sweeping the stage while he lays down gnarly bass lines. And the drummer was technical perfection. I was pretty much blown away.
All of this for like 35 people.
The guitar player I’ve been playing with was there for the first few bands. Unfortunately he missed Sunless because the girlfriend of one of the first band’s members threw up her entire stomach on his girlfriend’s nachos and she was bummed out and wanted to leave.
Drawing
A few weeks ago I decided to start drawing as a hobby. I haven’t really drawn since I dropped out of Pratt back in 1998. I had the classic “you’re not good at drawing” childhood and never tried to draw until I decided I wanted to get into graphic design after taking a chemistry class I hated my first semester of junior college. I figured I had to be able to draw to be a Real Designer, so I took some basic classes at the JC. After a bit of instruction I realized I wasn’t too bad, it was just a matter of learning how to see differently. Then I transferred to Pratt and got put into an advanced drawing class that was pretty much all life drawing, which I had never done before. My teacher, Mr. San Felipo, had some pretty intense “not quite my tempo” vibes, literally removing me from my seat so he could draw instead of me because my shit was so bad.
But, I learned a lot.
Then I dropped out and pretty much never drew again. For a lot of people, drawing is “therapeutic” or relaxing or whatever. For me it’s the opposite. While I’m drawing my heart rate increases, I feel nervous, and I catch myself holding my breath for no reason. Basically, super high anxiety, judging myself the entire time.
So, I’ve decided to stop all that nonsense and just draw. I went out and bought an iPad mini with an Apple Pencil and I loaded up the copy of Procreate I bought years ago and never used. Interestingly, I’m way more apt to draw on an iPad than in a paper notebook because the thought of ruining a nice notebook makes me even more stressed, so this has been perfect.
And, dangit, I’m having a ton of fun. Rediscovering my abilities 24 years later has been pretty cool. I took a couple Skillshare classes (that link will get you and me a free month) on Procreate and portrait drawing, and they were surprisingly helpful. I’m feeling like I’m in The Zone™ for the first time in ages. I actually look forward to drawing, which is really new for me. I have a lot of practicing to do, and maybe someday I’ll get up the courage to use color, but I’m going to try to stick with it this time.
Here are some recent sketches I’ve done, and I’ll post more in future issues.
Laughing at
- Jerry Garcia — we haven’t lived in southern California for 14 years or so now, but after 30 years there it runs deep. Jerry Garcia (no, not the Grateful Dead dude) is a comedian from Huntington Park and he looks pretty much exactly like my great uncle Dickie and hearing him talk feels like a warm blanket. His HBO special is called “It’s Not My Weekend” and it rules.
Learning about
- Building A Second Brain – my work has a personal development budget that’s normally for things like attending conferences, and for some reason I’ve never used it during my six years there. So this year I realized I could buy a bunch of online courses and subscriptions to educational things. One of the things is the Building A Second Brain course. It’s basically an organization system for keeping track of all your projects and life areas and stuff and a methodology for making sure you just write shit down and put it some place you’ll be able to find it so you don’t have to keep it in your head. Not having more crap swirling around in my head sounds good to me, so hopefully this helps a bit.
- Youtube – I’ve been paying for Youtube Premium™ for year snow mostly because I don’t want my kids to see their crappy ads when watching stuff and the few times I’d click on a Youtube link I wanted no part of sitting through 45 seconds of a Geico ad or whatever. But I think I finally realized that Youtube kind of rules if you find the right stuff. I mostly watch nerdy shit I’m too embarrassed to link to here, but I finally get it!
Watching
- Raised by Wolves – this is an interesting sci-fi series on HBO about some atheist androids (lol) who were sent to a remote planet to raise some atheist babies after they lost a war to the fanatically religious Sol worshippers.
Issue 1
I dunno, I guess I'm going through a bit of a mid life crisis. I'm 45, which, if I'm lucky, is pretty much smack dab in the middle of the ~4500 weeks I'll have on this planet, and all the things that sound like cliches are kinda true. My hair, which has always been black and thickly luxurious, is much thinner than it used to be. I'm still waiting for my Mitt Romneys to come in, though. And now I have shitty quarantine long hair that's usually in a little man bun like four years after the trend. So yeah.
Leading up to now, Jen and I were separated for a year back in 2019 - 2020, and I was pretty much resigned to the fact that I was going to be another 40-something divorcee. That was a damn wake up call. That whole experience made time slow down and stretch out much like how years felt when I was a kid. So much shit packed into one short year that felt like 3. Happily, we worked things out and I feel like I have a new lease on life. Being on the edge, just about to fall off, can really wake your ass up. I don't want to fuck things up again.
So, lots of changes have been and will always be in order from now on. Therapy, meds, mindfulness, yoga, all the usual stuff. And I suppose this newsletter is part of all that. I've always been reluctant to share anything because what the hell does anyone care about anything I have to say? But, I guess one good thing about getting old is the increasing ability to say "fuck it" and care a bit less than I used to.
So, hope you enjoy. Smash the like and subscribe button, etc, and reply if you want to talk about anything here!
Shit I'm...
Reading
- The Dark Forest - book 2 in the Remembrance of Earth's Past trilogy. I've never read much science fiction in the past, but these are pretty cool. If you're not familiar, it's written by a Chinese author, and the translations are pretty interesting. They feel much more ... I dunno, descriptive than books written in native English. There are some cool concepts at play, and the second book is quite different from the first.
- The Daily Stoic – yeah, I know. Cheesy self-help, pop-psychology, Broicism™, blah blah. But I dunno, it's just a nice way to start the day (when I remember to). Ultimately, it's just a good reminder to not sweat the small shit and just pay attention to the things you can actually control. Seems obvious and easy, but, brains are not very smart. A minute to learn, a lifetime to master, etc.
Using
- Obsidian – basically just a plain text / markdown editor. But, they've managed to get pretty much everything right with how I'd want to build up my collection of ideas and notes. There's a whole "Personal Knowledge Management revolution" going on right now, mostly credited to a rediscovery of the Zettelkasten method and the popularity (and subsequent downfall?) of Roam Research. Basically, it's taking a bunch of notes and easily linking them together from the text so you can have your own mini wikipedia or something along those lines. I'm a nerd who loves new apps and tinkering and this shit is right up my alley. The rabbit hole goes deep, and it's flexible enough to look and act pretty much however you want if you put in the time with the right themes and plugins. It's pretty much emacs for normals and I'm here for it.
- Raycast – this is pretty much the latest iteration of the whole launcher app idea that started with Quicksilver back in the day, which led to Launchbar and, most recently, Alfred. Those are all great and, in my opinion, necessary tools for using a computer, but Raycast feels like the next generation of the idea. It's based on javascript, of course, and has a built in extension browser, etc. But, it also incorporates the nearly-ubiquitous command-k command palette approach to things you navigate to, and has the ability to interact with web APIs baked right in. This means you can do things like create Jira tickets right from it instead of having to open that piece of shit in your browser.
Wearing
- Cardigan – I got this cardigan for Christmas when it was on sale and I shit you not, I've worn it pretty much every day since. This plus my house shoes makes me feel like Mr. Rogers. My friend Zac described it as "feral" and that feels about right.
Automating
- Home automation – I've gone all in with HomeKit since everything I have is Apple for the most part. This means at any given point it's hard to tell if I just misconfigured something, the network is being crappy, or if the house is haunted. HomeKit doesn't have as much stuff out there as Alexa and whatnot, but Homebridge makes it pretty good. for the most part, though, it's Hue and Lutron lights that turn on and off by themselves using some Aqara motion sensors. I'll write some more specific stuff about all this in future issues.
- Personal automation – this is mostly just stuff around using shortcuts to automate things. The main thing lately is using focus modes to automate things like turning zoom, my webcam app, and diffused light on for video calls and whatnot. I'll write some of this up in the future as well when I have it more dialed in.
Listening to
- Luminist – Metroid Resynthesized — this is an album I've been looking for since I was like 13 or whenever I first started playing Metroid on the NES. That game's music has never been surpassed (Marble Madness comes close) but the only renditions available that I knew of were the actual 8-bit game music and the band covers like The Advantage, Minibosses, and Stemage. I loved them all, but when I heard this Luminist version it was like a layer of grime was taken off of the music. It's a perfectly faithful rendition, just more lush and high resolution, and pretty much perfect.
- Messa – Close — a friend excitedly recommended this to us in our music slack describing it as a mix of doom, atmospheric goth rock, and straight jazz. Which, hell yeah. First listen... hmm. Second listen, ok there's some cool stuff here... Third, fourth listens, HOLY SHIT. It's incredible. Definite contender for album of the year.
Cooking
- Superiority Burger – our 8 year old wanted to go vegetarian, so I've been trying out a bunch of recipes. I remembered that Brooks Headley (of Universal Order of Armageddon, Born Against, etc.) is now a world famous vegan chef who invented a veggie burger that's veggie/grain forward instead of pretending to be meat with beet juice blood and whatnot. He's based in NYC, but his Superiority Burger had a popup here in Portland a few years ago. Unfortunately, I found out about it too late. So, I found a recipe online and made it a few weeks ago. It's pretty involved, but damn good. Give it a try!
Seeing
Live music is back, and I'm like a pig in shit. Here are some shows I went to recently:
Yob — My first show after 2 years of quarantine. What a way to come back. The drummer from Brothers of the Sonic Cloth was filling in for the tour, and he was killer. As usual, a crushing and beautiful experience.
Shiner — I discovered Shiner 20 years too late during Covid. After falling in love with Hum's Inlet album, Shiner was a revelation. The Egg is an amazing album, and when I saw they were going to be playing Doug Fir when I was at the Yob show I mad a mental note to go, but of course forgot. Luckily I got an email or something reminding me about it, and man am I glad I did. They sounded great, played for a long time, and were heavy as hell. They even played a few encore songs.
Jonah's Onelinedrawing opened, which was kinda funny/weird. He's the singer from Far doing a solo singer-with-guitar thing. Not really my jam, and he's pretty extra. He did play a version of the good Far song, which was cool.
Back story: I payed drums for Gehenna back in like 1995 for a small west coat tour with Integrity. We hooked up with Far and Damnation AD for a couple shows. One of them was at some line dancing club in Sacramento. My drums were on the tallest drum riser I've ever seen. There were like 30 people there or something. While we were playing something happened and the club wanted us to stop for some reason. We kept playing the song we were in the middle of and Jonah was freaking out telling us to stop. He probably didn't want the show to get shut down because they hadn't played yet or something. He ended up unplugging out amps like a dickhead. So yeah, that's Jonah.
Deftones — the first "big" show since lockdown. I bought the ticket like 2 years ago and it was postponed a few times, but it finally happened. It was at the Moda Center where the Blazers play, which is pretty wild since the last time I saw them was in like 2012 at the Crystal Ballroom with Alex.
The opening band was called VOWWS and they were whatever. A two piece guitar + keyboards thing trying real hard to be goth with trench coats and stuff. Pass.
Next up was Gojira. Las time I saw Gojira was at the Hawthorne theater opening for Devin Townsend Project, so seeing them in a huge venue was pretty wild. They're really fun live and they know how to work an audience. They're famous for their weird guitar slidey screechy thing and wild double bass drumming, but I never realized how they can get down with some four-on-the-floor, meat and potatoes headbanging stuff. Pretty fun.
Then Deftones came out. Apparently it was the first show of their whole tour, so basically the first time playing a show in like 2 years or so. The sound was pretty crap for the first few songs, but it got better and they got more into their groove. It was pretty funny seeing how they guitar player is still a dude wearing big ass baggy shorts and long hair, Chino is Chino, and they had a new bass player after Sergio from Quicksand quit last year. They played Diamond Eyes, which was what I was mainly hoping for. They also played one of their songs from the deep Nü Metal days.
Monolord — Jen bought me tickets for this show at Dante's for my birthday last year, which was awesome because I had no idea they were even touring. I'd never seen them live, but have played the shit out of their albums over the last couple years (especially the instrumental versions that are excellent work music).
First up was Simple Forms, which is the bass player from Yob's side band with his brother on vocals. They were pretty cool and pretty unique.
Then Firebreather was up. They're pretty much Sweden's answer to High On Fire. Pretty ballsy. I need to listen to their album some more.
Then Monolord took the stage. A power trio's power trio. Their drummer had his UNFUCK EVERYTHING shirt on and signature slicked back hair, and the bass player was dressed like a Scandinavian Les Claypool or something. The guitarist/singer looked the regular part, skinny with long ass hair. He had one of my favorite tattoos I've seen too.
They fuckin' brought it. Crushing riff after crushing riff for more than an hour. It was everything I hoped it would be.
Earthless — first up was Dommengang. They played pretty great psych rock stuff, and their drummer was super fun to watch. The guitar player kinda looked like a young Michael McDonald, hell yeah. Apparently they're from Portland too, pretty cool stuff.
Earthless took the stage and proceeded to do like a 20 minute mellow intro buildup thing. Honestly, it was getting kinda old. Like, I know 20 minute songs is their thing, but this was kinda ridiculous and a bit boring.
Finally, though, they started to ratchet things up. Building and building and building until things started to hit ridiculous levels of energy and shred. It was pretty glorious. A couple encores as well. I should have known better than to doubt them.
Sunless — a tiny metal show at a shitty bar (High Water Mark).
Nature is healing.
First band was Magdalene. The guys I'm currently playing music with used to be in this band, but quit for Artistic Differences or something. They were pretty cool. Their album is rad.
Next was Aseitas. The dudes in the band were super nerdy and one of the guitar players had a ridiculous medieval axe looking guitar and dangly feather earrings. They were pretty great. Just super technical nerdy shit that I love.
Then Noctambulist, the band touring with Sunless played. They were pretty good death metal, not really my thing.
Then Sunless came on. Holy shit. I've loved their albums for a few years now, and I kinda equated them as a newer, younger Gorguts. I wasn't really anticipating their live show though. Their bass player is a tall nerdy guy with glasses, a beard, and dreads that literally go down to his shins and a six string bass (of course). The guitar player looked like a cross between Nautas Kaupas and Hank Schrader from Breaking Bad wearing a black leather jacket. The drummer was a Normal Looking Dude.
They started playing, and it was pretty unreal. The guitar player is singing and doing these wildly technical single note picking parts the whole time. The bass player sets up his dreads to hang in front of them so they're almost sweeping the stage while he lays down gnarly bass lines. And the drummer was technical perfection. I was pretty much blown away.
All of this for like 35 people.
The guitar player I've been playing with was there for the first few bands. Unfortunately he missed Sunless because the girlfriend of one of the first band's members threw up her entire stomach on his girlfriend's nachos and she was bummed out and wanted to leave.
Drawing
A few weeks ago I decided to start drawing as a hobby. I haven't really drawn since I dropped out of Pratt back in 1998. I had the classic "you're not good at drawing" childhood and never tried to draw until I decided I wanted to get into graphic design after taking a chemistry class I hated my first semester of junior college. I figured I had to be able to draw to be a Real Designer, so I took some basic classes at the JC. After a bit of instruction I realized I wasn't too bad, it was just a matter of learning how to see differently. Then I transferred to Pratt and got put into an advanced drawing class that was pretty much all life drawing, which I had never done before. My teacher, Mr. San Felipo, had some pretty intense "not quite my tempo" vibes, literally removing me from my seat so he could draw instead of me because my shit was so bad.
But, I learned a lot.
Then I dropped out and pretty much never drew again. For a lot of people, drawing is "therapeutic" or relaxing or whatever. For me it's the opposite. While I'm drawing my heart rate increases, I feel nervous, and I catch myself holding my breath for no reason. Basically, super high anxiety, judging myself the entire time.
So, I've decided to stop all that nonsense and just draw. I went out and bought an iPad mini with an Apple Pencil and I loaded up the copy of Procreate I bought years ago and never used. Interestingly, I'm way more apt to draw on an iPad than in a paper notebook because the thought of ruining a nice notebook makes me even more stressed, so this has been perfect.
And, dangit, I'm having a ton of fun. Rediscovering my abilities 24 years later has been pretty cool. I took a couple Skillshare classes (that link will get you and me a free month) on Procreate and portrait drawing, and they were surprisingly helpful. I'm feeling like I'm in The Zone™ for the first time in ages. I actually look forward to drawing, which is really new for me. I have a lot of practicing to do, and maybe someday I'll get up the courage to use color, but I'm going to try to stick with it this time.
Here are some recent sketches I've done, and I'll post more in future issues.
Laughing at
- Jerry Garcia — we haven't lived in southern California for 14 years or so now, but after 30 years there it runs deep. Jerry Garcia (no, not the Grateful Dead dude) is a comedian from Huntington Park and he looks pretty much exactly like my great uncle Dickie and hearing him talk feels like a warm blanket. His HBO special is called "It's Not My Weekend" and it rules.
Learning about
- Building A Second Brain – my work has a personal development budget that's normally for things like attending conferences, and for some reason I've never used it during my six years there. So this year I realized I could buy a bunch of online courses and subscriptions to educational things. One of the things is the Building A Second Brain course. It's basically an organization system for keeping track of all your projects and life areas and stuff and a methodology for making sure you just write shit down and put it some place you'll be able to find it so you don't have to keep it in your head. Not having more crap swirling around in my head sounds good to me, so hopefully this helps a bit.
- Youtube – I've been paying for Youtube Premium™ for year snow mostly because I don't want my kids to see their crappy ads when watching stuff and the few times I'd click on a Youtube link I wanted no part of sitting through 45 seconds of a Geico ad or whatever. But I think I finally realized that Youtube kind of rules if you find the right stuff. I mostly watch nerdy shit I'm too embarrassed to link to here, but I finally get it!
Watching
- Raised by Wolves – this is an interesting sci-fi series on HBO about some atheist androids (lol) who were sent to a remote planet to raise some atheist babies after they lost a war to the fanatically religious Sol worshippers.