Currently reading: Ducks by Kate Beaton 📚

I wasn’t sure what to expect from this book, I just knew she drew the canonical “Old as balls” image and that was reason enough to buy anything she makes. Turns out it’s a super moving autobiography of a difficult period of life, perfectly captured in the comic medium. Her master of facial expressions is superb.

Best of 2022 – YouTube

Yeah, I know, I’m only like 10 years late, but I finally “get” YouTube. I was always kinda mad at them for becoming kazillionaires by hosting a bunch of pirated stuff back in the day. I guess the ends justify the means. Regardless of the provenance, what it is these days is pretty incredible.

I remember one of my friends a few years ago saying they pretty much only watched YouTube and no other streaming services. That seemed super weird to me. They mentioned liking stuff like MKBHD and whatnot, which I, as a gearhead, understood in theory, but it never really hooked me.

I think what finally made things click was getting into the whole personal knowledge management and productivity stuff scene. That’s when I realized there were a bunch of people out there posting some relatively high-quality videos about the stuff I was most interested in at the time. Tutorials, reviews, recordings of presentations, etc. on the most niche shit, all easily available.

Then, when I got into onewheeling, I couldn’t stop watching videos of people riding trails. What most people would likely find super boring and tedious was completely enrapturing to me. 30 minute raw footage of a dude riding a trail in Canada without any background music or anything? Hell yes. It inspired me to start my own channel of pretty much the same stuff.

So yeah, I get it now. YouTube is my default place to chill and just watch some stuff. Now that I think about it, that’s probably the secret – it’s the easiest place to just find something that’s probably only like 8 minutes long to watch without much commitment, and it’s easy to just queue things up and skip around. At this point, I’m much more attracted to bite size “casual” stuff than big investments. Much like with video games, I’d much rather be able to play Tony Hawk for 20 minutes than have to invest 100 hours into some interactive epic movie type of thing. And YouTube is pretty much that for videos.

Some cool channels I like:

And, of course, The Algorithm feeds me a bunch of related stuff and a bunch of political current events and whatnot. I’ll admit to watching to many of the political things, but that’s life.

Oh yeah: I happily pay for YouTube Premium because it’s essentially useless without it. Yes, some of you just use ad blockers or whatever, but I’m not interested in a game of cat and mouse with Google. It’s worth it.

Best of 2022 – Onewheel

Growing up as a skater kid, I’ve been pretty comfortable on boards with wheels for a long time. Thankfully, the muscle memory is still kinda there. Without wheels… that’s a different story. I tried snowboarding once when I was like 42, and it was terrible. Like, I truly hated it. Just sliding around with no control, while being strapped to the damn thing.

I tried skating again as an old, but it didn’t really stick. My mind wanted to do all the tricks I could do as a kid, but my body was like nah dogg, come on. It was pretty frustrating, and I just didn’t have the drive to build back up to any sort of reasonable level that would be fun again.

Another factor is that living in Portland in 2022 means the options for skating are almost entirely outdoor skateparks during the months it’s not raining, which is a far cry from growing up in SoCal where weather was never a factor. We skated literally every single day unless we were sick or hurt or something. On the rare occasion it was raining, we’d hit up a parking garage. We didn’t have skateparks at all, so we just went to schools and malls and parking lots, skating curbs and doing tricks down stairs. Transitions, whether ramps or concrete, were an exotic rarity for us, which means skating the parks here in Portland feels super foreign.

Anyway, skating didn’t stick as an old man in a new environment, snowboarding sucked, and I wasn’t interested in hiking or cycling. I wanted to ride a board. I considered standup paddleboarding, which is pretty huge around here, but my only experience with it was in Hawaii on the ocean, and that didn’t go very well. I was still interested, but it just seemed like such an … ordeal. With skating, you just grab your board and go outside, and you’re good to go. Paddleboarding seemed kind of tedious, always having to inflate and deflate the boards, and, well, you have to go to a lake or river. That’s not that hard around Portland, but still.

Onewheeling addresses just about all of this:

  • it’s a board sport
  • my feet aren’t strapped to it
  • don’t have to inflate it
  • doesn’t require snow
  • doesn’t require water
  • small and portable

What I didn’t realize were all the things I hadn’t even thought of:

  • it can go off-road!
  • it’s fast
  • it’s smooth
  • it can go up hills
  • it’s… liberating

The off-road part is the most important. Living in Portland for 11 years now has been great, I really love it here. But, I’ve never taken advantage of what the area has to offer. Everyone here is a Hiker™, taking advantage of all the trails and nature the northwest has to offer, and, well, I was just never interested in taking walks on dirt. Don’t get me wrong, it’s cool every once in a while, but it’s not a hobby or anything to me.

The onewheel being able to go off-road changed all that. Riding all these trails are like the best skatepark I could imagine, except even better. They’re organic, almost alive. I know they’re technically manmade, but being out in the woods, made of dirt, imperfect and raw, just makes them feel like they’re supposed to be there, and we’re lucky enough to have stumbled across them to experience them.

Back when I was a kid, I loved making marble tracks in the dirt. My brother and I would make some wild ones on the hill in the backyard of one of the houses we lived in. We’d make berms and tunnels and jumps and connectors, and then drop the marble down to see it go through, swerving and gaining speed. Riding trails is the closest I’ve come to that feeling, except now I get to be the marble, and the tracks are way more creative, beautiful, and fun than anything we ever came up with.

A few weeks back I went out to Post Canyon in Hood River and rode the El Dorado trail. It was right when all the trees were turning orange and dropping onto the trail, and the dirt was a bit damp and smooth. The whole time, the only thought going through my mind is “man, this is so cool” as I rode through terrain I never would have enjoyed otherwise, listening to the subtle, soothing sounds of the wheel on the terrain. It forces me to just about forget anything else going on in my life and just enjoy the present moment, the place I live, and the opportunity I have to just float through it. And, well… it’s just so cool.

Best of 2022 – Continuity Camera

Because we all live in a world of nonstop Zoom calls now, things like webcams actually matter. We all know laptop cameras are not great, and if you use an external monitor you might not even have one built in. That’s the boat I was in, since work gave me a huge 16” MacBook Pro that is way too big to use as a laptop, so it’s docked and connected to some random LG monitor.

I had some ancient Logitech webcam, but it was garbage. Never focused, really bad at low light, etc. I remembered hearing about and app called Camo that let you use your iPhone as a webcam. I installed the trial and the difference in quality was immediately apparent. Like, way better. Once I tried that, I couldn’t go back.

One tricky situation, though: how to mount the phone above my monitor? This was before continuity camera, so Belkin hadn’t yet made their little contraption for MagSafeing your phone on top. I ended up rigging a Rube Goldberg contraption together with a clamp, articulating tripod arm, and MagSafe cold shoe mount from Moment. It’s super janky, but it works well enough.

So, once that was figured out, I subscribed to Camo (like $39/year or something) and happily used it for a year or so. It has plenty of tools for tweaking the image, and was pretty rock solid. One downside, though, was that it required the phone to be plugged in via USB. Understandable, but a pain when setting things up multiple times a day for Zoom meetings.

Then I noticed that my SetApp subscription added a new app called Detail that was similar to Camo, but included in the subscription I already had. It also claimed to work over Wi-Fi instead of having to plugging in, which was intriguing. In practice, though, the Wi-Fi thing didn’t work very well, and you could tell it was super compressed. It didn’t have the same level of tweaking as Camo either, but it was passable.

Automating Annoying Stuff

One thing about these products is that they need to have apps on both the phone and Mac running at the same time to work. The Mac app receives the signal from the phone and registers it as a virtual camera for apps like Zoom to use, and the phone app sends that signal. I guess with Camo, it also does a lot of the image processing on the phone as well. This is all well and good, but it does pose a problem: making sure the apps are running when you need them to be. On the Mac, it’s usually just running in the background, no big deal. The phone, however, is a pain. Having to unlock it and open the app, and then gingerly set the phone onto the MagSafe stand thingy without accidentally exiting the app or opening control center, is a non-trivial task.

What I ended up doing was cobbling together some Shortcuts. I don’t use Shortcuts nearly enough, but this was a good opportunity to try them out for something actually useful. The basic gist of what I did:

  • On my Mac, create a shortcut that
      – changes the focus mode to Zoom Meeting (custom focus mode)– opens OBS using a shell command to start the virtual camera (/Applications/OBS.app/Contents/MacOS/obs --startvirtualcam &)– sets a HomeKit scene that turns on my El Gato Keylight Air and desk light strip, as well as lowers my green screen – hides the OBS window.
  • On my phone, creation a shortcut automation that
      – triggers on the change to the Zoom Meeting focus mode (focus modes sync across all your devices, which means changing it on my Mac propagates it to my phone, allowing this automation to happen automatically. Cool!)– opens the appropriate app (Camo or Detail)– if I’m using Detail at the time, turn off screen-rotation lock (Detail doesn’t let you change the orientation in the Mac app, while Camo does).

I also set up a “meeting clean up” shortcut that

  • turns off the Zoom Meeting focus mode
  • turns on a HomeKit scene that puts my green screen up, turns off the Keylight.

And an automation on my phone when the detail app exits to turn the rotation lock back on.

Whew. Yeah, it’s a lot. While it’s kinda fun to think all of those things through and get it working, it’s a lot of work and relatively brittle.

Dedicated Webcam?

Some folks in the Mac Slack channel at work bought one of the Opal cameras that purported to be “DSLR quality” in a normal(ish) webcam form factor. It was spendy (like $300) but I figured I’d give it a try since it would be super convenient to not have to think about putting my phone up while still having good image quality. However, the quality was nowhere near what I was getting with Camo and my phone. I tried tweaking the software, but it just didn’t get much better in the lighting available in my office. So, I requested a refund. To my surprise, they refunded me immediately and told me to go ahead and keep the camera. Maybe it’ll improve as the software gets better.

Finally, Continuity Camera

Ok, enough backstory. When macOS Ventura came out, one of the things it included was Continuity Camera™, which was basically Camo being Sherlocked. I tried it out and, true to form, Apple was able to make it much nicer in many ways since they own the whole stack, and they, of course, made it far too simple in some other ways.

First off, pretty much all the annoying shit is gone. Since it’s baked into the operating systems, there’s no need to run apps on either the Mac or the iPhone, so all the weird shenanigans for having things set up is no longer necessary. What this means in practice is that I can just toss my phone up onto the magnet when I’m getting ready for a call and whenever Zoom accesses the camera it Just Works. No need to start apps or turn the phone on or anything.

And yeah, I didn’t say anything about plugging it in. They got things to work over Wi-Fi really well compared to Detail (I haven’t tried the Camo update that supports Wi-Fi) and the added convenience really adds up.

Since it’s an Apple camera, it means you can take advantage of the built-in camera effects as well, like portrait mode and Center Stage which follows your face around automatically. The portrait mode is quite good compared to Camo’s, and light years better than the god awful Zoom blur things, but obviously not as good as a real DSLR. Center Stage is pretty neat, but it can be really nauseating after a while as it constantly moves the focus around to follow your head moving or your arms while gesticulating. Turning it off also makes the image a lot sharper.

So, overall, it’s really nice! But, there are some annoyances:

  • While the Wi-Fi connection works really well, it requires that you can’t have AirPlay going at the same time. It’s understandable since they both likely use up a ton of bandwidth, but it requires that AirPlay not even be connected, which means I’ve been having to close down the Music app when using the camera. Not a giant deal, but an annoyance.
  • Being an Apple feature, there are basically no controls over things. The Camera effects are there, but you can’t do anything to control the image quality, exposure, cropping, zoom, etc. etc. Camo really excels at that type of stuff, letting you tweak tons of things and saving them for the future. Overall, though, the Apple quality on everything is Good Enough to not worry too much about it.
  • Since the wireless connection works so well, it means the phone is doing some pretty intense stuff without being connected to power. Of course, I like not having to plug it in, but killing my phone’s battery after a few calls kinda sucks. So, sometimes I’ve been plugging it in just for power. I’m going to try to see if I can rig up a MagSafe charger onto my Rube Goldberg machine to provide some easy power while keeping things stuck above the monitor, but I’m uncertain that’s going to actually work.

So, overall, I’m happy with it, especially when compared to all the alternatives. Getting a new studio display with a built-in camera would probably be the easiest answer, but they’re expensive, and the iPhone is still going to provide a better image.

#portland #timbers on Christmas Eve eve

TSA Preeeeez Nuuuuuttzzzz

A sort of continuation of the budget culture article I posted a few months ago. This article goes over the absurdity and sheer usefulness of the TSA PreCheck system. I've had Pre for a long time now because I got it as a perk with my fancy points credit card. Actually, that allowed for Global Entry, which is kinda like PreCheck except for international flights, letting you get through customs a lot faster when returning home. I was doing a bunch of travel to speak at conferences and whatnot back then, and Pre and Global Entry were awesome, especially when traveling with the family.

This whole thing is, of course, another example of people who don't really need the perks, or would be able to afford them, getting them for free. If you have never used Pre, the experience is basically this: if you're old enough, remember air travel before 9/11? You can almost experience that again by paying the government $85 to get your fingerprints and do a background check so you can go in a (usually) shorter line and not have to take off your shoes and belt.

Put another way, remember Cool Ranch Doritos? Of course you do. Remember when they first came out? They were amazing, right? New flavor, and plenty of it. Then, over the years, they didn't have the same kick that they once used to. But never fear! Now there's COOLER RANCH, with more XTREME flavor!

But, I'm fairly certain they just slowly tapered off how much of the magic dust they put on the chips over the years and then returned it to the original formula and reintroduced it as COOLER. I think this is a pretty common playbook, especially when they can charge more when they return to their original glory. Shrinkflation, Walmartization, etc. Start out with something good that people love, get them hooked, and then slowly remove what they love until competition isn't a problem and you can raise the prices to return them to your original selling point.

So yeah, PreCheck. Stripping away your dignity in the name of Security™ for 20 years so they can charge the people who can afford it (or who get it for free as a perk) to return a little bit of it, all while collecting a bunch of fingerprints and tracking people who haven't (yet) committed a crime.

It’s not a new observation that the American justice system has two tiers. The wealthy (and, often, the white) have the ability to warp and pervert it for their own gain, bending rules or financing the rewriting of regulations when they can’t be adequately tweaked for their purposes. Those who lack the means to distort the system for their own ends are subjected to the pitiless letter of the law. Nowhere is the bifurcated nature of justice more nakedly on display than in the presence of the TSA PreCheck line. While the general boarding class is subjected to all manner of indignity, the people with PreCheck breeze through while experiencing just the briefest overture of security theater.

And you better believe that it's fucking great. There is such satisfaction in showing up to the airport, consistently some of the worst, most human-hostile places on earth, and getting through the line a little bit quicker while not having to remove your damn belt. It's the small things. But it's also proof that all it takes is a slow trickle of continued bullshittery until we're ecstatic to return to … how things used to be before they got unnecessarily shitty.

By all logic, PreCheck shouldn’t exist. We should not have to sacrifice privacy for convenience, and we should not be allowed to pay to bypass “necessary” security measures for a small fee. Either no one deserves these privileges or we all do. “TSA PreCheck For All” would be an immensely popular political platform for a Democratic presidential candidate.

"TSA PreCheck For All" is an interesting idea… but that's just "return to the pre-9/11 world" which means nobody would be getting anything special. Which I guess is the point? If everyone could keep their shoes and belts on and not have to go through the porno scanners, things would be better and faster for everyone. But it also means you wouldn't really get anything "special" from the experience. No smug look at the proles in the long regular line putting their arms up while standing in the Rapiscan.

Maybe not, though. I suppose this type of program would still mean everyone who wanted to take advantage of it would have to register their info and fingerprints etc. to The Deep State to bypass the security theater. Which means, of course, that there would be a 40%+ contingent of people who would refuse to actually do it and would turn it into a massive conspiracy about government overreach and all that shit. So, perhaps it would still be a shorter line? I guess, kinda like the whole Covid vaccine thing, it would morph into the line where you don't have to take off your belt, and then the Other line where all the Patriots are taking off their red hats in protest, martyring themselves in the name of Freedom. All while their heroes from TV and the internet fly on private flights or, at the very least, go through the PreCheck line because, well, of course they are.

📷 #caturday

About this site

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churro is a cool #cat

#onewheel trail riding in oregon is the best

Issue 14

If you want to talk about anything in here, please reply to this email (or email me at toby@takeo.email if you're reading this on RSS)! I'd love to talk shop.

Shit I'm...

Reading: “The Only Moral Abortion Is My Abortion”

After writing about abortion a few issues ago, it's been heartbreaking and enraging to read about the wholly predictable and preventable outcomes and consequences that are already happening.

This article is a collection of quotes from clinicians about their experiences with protesters who come in to receive an abortion. The hypocrisy is, of course, wildly frustrating:

Many anti-choice women are convinced that their need for abortion is unique — not like those “other” women — even though they have abortions for the same sorts of reasons. Anti-choice women often expect special treatment from clinic staff. Some demand an abortion immediately, wanting to skip important preliminaries such as taking a history or waiting for blood test results. Frequently, anti-abortion women will refuse counseling. Some women insist on sneaking in the back door and hiding in a room away from other patients. Others refuse to sit in the waiting room with women they call “sluts” and “trash.” Or if they do, they get angry when other patients in the waiting room talk or laugh, because it proves to them that women get abortions casually, for “convenience”.

and also somewhat eye-opening:

“A 21 year old woman and her mother drove three hours to come to their appointment for an abortion. They were surprised to find the clinic a ‘nice’ place with friendly, personable staff. While going over contraceptive options, they shared that they were Pro-Life and disagreed with abortion, but that the patient could not afford to raise a child right now. Also, she wouldn’t need contraception since she wasn’t going to have sex until she got married, because of her religious beliefs.” (Physician, Washington State)

There's not really any logic or introspection happening in these cases it seems. Lots of religion, parental/family pressure, wishful thinking, and mental gymnastics to help them justify things.

Wearing

Found this shirt when we moved. Achewood continues to rule. I think I may re-read it while I'm on sabbatical.

Cooking

I'd never heard of Shirataki noodles before I came across this Youtube video about them. I like noodle dishes and these noodles are only like 5 calories per serving or something wild like that. They're not as good, of course, but with lots of veggies and a hot homemade sauce, they're good enough. Gonna try doing meal prep ahead of time with these for some quick lunches.

Listening to: Imperial Triumphant

Imperial Triumphant is one of the most creative bands out there right now. Super wacky black metal type stuff wearing robes and masks and the whole deal. But, unlike Ghost or Gwar or whatever, these guys back their shit up with some truly unsettling music. They're kinda like Gorguts taken to their next logical extreme. I love it.

Their new album doesn't disappoint. Dissonant, undulating, ugly. And the video for Merkurius Gilded is, again, unsettling. Surreal and disconnected, it just puts you on edge and disturbs the senses.

Also, the song has Kenny G playing on it. Yeah, the Kenny G. Apparently his son used to be in the band and made a guest appearance in a saxophone duel with pops.

Drawing

No new drawings again this week. Here's an old ink wash style thing I did of Pigwidgeon a while back.

Laughing at: Stavros Halkias

https://www.youtube.com/watch?v=Bl878TKI3tw

This dude is one of my favorite recent discoveries. His roasting of Portland in Portland is great, and has one of the best off the cuff roasts I've ever seen. His full length special is super good too.

Learning: Did People Used To Look Older?

This is something I've long wondered about and talked to some friends about. It definitely seems like people from previous generations looked way older when they were young than we do now. The canonical example is the whole "This is Wilford Brimley and Paul Rudd at the same age" thing:

I've always chalked it up to all the smoking and drinking and shitty life decisions and circumstances that are no longer as common, but this video says there's more to it than that.

Watching: Johnny 5 is ALIVE

Google Engineer on His Sentient AI Claim - YouTube

So everyone, including me, was roasting the Google dude super hard when he said their AI thing was "alive". Mostly because this was the main photo of him going around:

And, well, yeah.

But, I watched this video with him explaining his whole point and it's pretty interesting. Sure, he's likely trying to save face by playing it off like "I was just trying to get everyone's attention to talk about something serious" it's just a prank bro, etc. but I think it's worth watching.

Issue 13

Shorter one this week. I'm currently in Indiana visiting with family for my grandpa's memorial service and haven't had much time this week to write. Mostly links and stuff this time around.

If you want to talk about anything in here, please reply to this email (or email me at toby@takeo.email if you're reading this on RSS)! I'd love to talk shop.

Shit I'm...

Reading

How Silicon Valley Helps Spread the Same Sterile Aesthetic Across the World

As an affluent, self-selecting group of people move through spaces linked by technology, particular sensibilities spread, and these small pockets of geography grow to resemble one another, as Schwarzmann discovered: the coffee roaster Four Barrel in San Francisco looks like the Australian Toby’s Estate in Brooklyn looks like The Coffee Collective in Copenhagen looks like Bear Pond Espresso in Tokyo. You can get a dry cortado with perfect latte art at any of them, then Instagram it on a marble countertop and further spread the aesthetic to your followers.

I know I'm part of the problem when it comes to this type of stuff, but it's still a bummer. I suppose it's just part of ubiquitous connection via curated social media posts and airbnb listings and whatnot. There have always been trends, of course, but I guess never really at the same time across the entire globe.

That said, I'm currently in the outskirts of Indianapolis, and the aesthetic here is definitely not the standard Four Barrel Coffee Roasters. From what I can tell it's the standard American aesthetic for all the places that that affluent tech crowd ignores. Lots of smoking, lots of live laugh love types of wall adornments, lots of sports. Perhaps to truly experience different things we'll just need to seek out the places that haven't gotten the approval of the tech/influencer crowd.

Using

Obsidian, Taming a Collective Consciousness

For y'all still interested in things like Obsidian, this article is a really in-depth overview of how a software team used Obsidian as a shared knowledge repository. Lots of example templates and resources.

Wearing

I picked up this Lord Dying shirt when I saw them a few weeks ago. I was wearing it yesterday when I got to Indiana and my dad looked at it sideways and asked if it was a Yes shirt, so, mission accomplished.

Listening to

I was listening to something the other day and one of these songs by Candiria came up randomly after and I remembered how badass their weird jazz fusion songs were. If you're unfamiliar with them, they were a New Jersey hardcore band that did a melding of rap and metal. All that stuff is... fine, but these two songs are when they threw down some heavy fusion stuff and it ruuuules.

Peel This Strap and Fold Here

R*Evolutionize*R

Seeing

Cirque Du Soleil – Alegria

Our daughter wanted to go to Cirque du Soleil for her birthday while it was still in town. We got tickets to Alegria for us and her buddy. I think this was the first one I saw back in the 90s. It was, of course, awesome. It's pretty amazing what people can do if they dedicate their lives to random shit like doing ridiculous tricks in a huge aluminum hamster wheel. It also became very apparent that the minions are 100% based on French Canadian circus clowns.

Drawing

Here's an oldie:

Laughing at

AI Religion Bot – one of those twitter accounts that purports to be a GPT3 generated tweeter trained on tons of religious texts. Lots of times they're accompanied by images derived from the passages it generates. And, yeah, some great stuff like this:

Nice.

Watching

The Church Play Cinematic Universe – Allen posted this in the group chat the other day and… holy shit.I played drums at a church for like 7 years, and we had our share of stage dramas. Nothing as intense as this, but still… this is way too real.

— Toby

Issue 12

While we were in socal, we made the required pilgrimage to Disneyland. It's weird after growing up down there and having annual passes. What used to be a "do you wanna go to Disneyland and get some pizza" type of thing is now a Big Expensive Vacation Activity thing for us. That said, I love going to Disneyland. It's a nice escape and I enjoy seeing all the design details and stuff.

So we bought the tickets and made the reservation. After talking to some folks, we learned they no longer have the FastPass™ system. Instead, you have to spend an extra $20 per person to be able to schedule times you can use the Lightning Pass™ lines. And if you want to go on the new Star Wars ride with a shorter line, you spend another $20 per person. God dammit. We bought the regular one.

Turns out, it was probably the best Disneyland experience we've ever had. The weather wasn't too hot, there weren't tons of people, and the lighting lines actually worked pretty well. We bought tons of snacks and went on lots of rides, and finally saw the Star Wars land. It was pretty cool! And the little dude spent some of his birthday money on building a lightsaber:

The Millennium Falcon ride is pretty cool. Kind of like a $10M version of Space Team. The kiddos were the pilots, and Jen and I were in charge of pushing flashing buttons to shoot stuff. Felix didn't quite understand the whole "pull down to go up" thing, so we were crashing everywhere. It was a lot of fun.

Seeing: Failure – July 6, 2022, Hawthorne Theater

Failure is one of those bands that I discovered well after their prime. They released their magnum opus back in 1996 and I didn't hear of them until a dude in a band I was playing in played them in the tour van all the time. Like many of the "alternative" type bands from 90s, they were much heavier and more complex than they had any right to be. Back in my day, music had balls, etc. But seriously, looking back at big bands like Smashing Pumpkins, Hum, Alice In Chains, Shudder to Think, and Failure, that shit was heavy. Of course, at the time, that stuff just seemed "normal" and "weak" compared to the ultra-heavy Slayer ripoff hardcore we were listening to instead. But I could still tell there was something there.

So, I discovered the Fantastic Planet album around 2003 or so. At first it seemed like pretty standard post-metal, post-grunge type of stuff. But after a few more listens it started to click. A few years earlier, I discovered the Jupiter album by Cave In. Cave In had always been big in the hardcore scene, and I had always kinda written them off as a low rent Converge. But when I searched for Cave In on Napster and downloaded the Jupiter album, it wasn't what I was expecting at all. At some point they had morphed into some sort of post hardcore band with a really spacey type of sound. It was still heavy, but the vocals were clean and there were lots of guitar effects and stuff that seemed really unique. I loved it.

After listening to Fantastic Planet a bunch a couple years later, it clicked that, oh, Jupiter was just a tribute to Failure. The influence was hugely apparent once I realized what was happening. Not to diminish Jupiter, it's still great, but I learned that Failure was much more important that I had known.

Fast forward another 20 years and I'm seeing Failure. It's my second time after seeing them like 5 or 6 years ago here in Portland. This time, of course, is after the 3 year drought of live music and another new record from them.

When I got the notification that Failure would be playing the Hawthorne Theater here in Portland, I was both stoked and surprised. The Hawthorne is generally reviled by lots of folks here in town. It's pretty small and the sound isn't as good as many other venues. It definitely seemed like a step down from the Wonder Ballroom where I saw them last. But that didn't matter to me, I wasn't going to miss them.

I arrived to the theater right around 8pm when it was supposed to be starting. I assumed there would be an opening band, and the time sheet listed Documentary: 8:30 - 9, Failure 9 - 10:30. I bought a drink and stood up front waiting for some band named Documentary. Failure's drums were already set up, so I figured they were some sort of duo with a drum machine or something.

The lights went down and the screen in back of the stage started to show a Ren and Stimpy cartoon where they're in space getting Space Madness or something. It went way longer than I expected... it seemed like almost half of the episode. When it finally stopped, no one came out and the video continued with a person from Paramore talking about the influence Failure had on her and her band. Huh. And then it cut to a clip of Butch Vig and co. from Garbage. Then it clicked... there wasn't an opening band named Documentary, it was an actual... documentary.

It went for the allotted 30 minutes or so. It was both really cool to hear from lots of different bands (and even Rick Beato, who everyone in the audience cheered for and was the only person in the documentary who got any sort of reaction lol) talk about how much of an influence Failure had on them and how much respect they had for them over the last almost 30 years.

But it was also kind of ... weird. Like, the documentary was effusive about the band. It essentially felt like a hagiography, which seemed odd for the band to immediately come out and play after. But, I suppose they also deserve the praise. Much of the stuff the people said was how they were essentially overlooked. A band's band. A group who made an essentially perfect record and then imploded due to drug use and infighting without ever receiving their due. Which is all true.

So, they came out and started playing. I was taken aback by the stage setup at that point because the drums, which were clear, acrylic vistalites of some sort, were really close to the front of the stage, and there were no amps on the stage. Like, none. Huge pedalboards and mic setups, but no amps at all. Which seemed weird for a heavy guitar driven band like them who were lauded for being super loud with their walls of amps only a few minutes prior in the documentary.

They sounded great, though. My spot right up front threw off the mix since I could hear the drums by themselves louder than though the PA, but no corresponding amps to balance it out. I'm sure the mix was much better back in the room where everything was through the PA, but it was kinda jarring right up front. But I got used to it.

They played for about an hour and a half total. The first hour was all stuff from their most recent albums and their earliest album. Which is all solid. But, we were all there to hear stuff from Fantastic Planet.

Fantastic Planet, as mentioned earlier, is essentially a perfect album. There are a few albums I consider to be perfect — Siamese Dream, Protestant, 9 Patriotic Hymns for Children, Tidal, Through Silver In Blood, for example — and Fantastic Planet is definitely in that upper strata. The songs are well crafted, the recording is good, and there's a continuous thread throughout that just feels very intentional and well executed. There's just something about it.

My dream was that they'd be playing the whole thing. The first hour of all the newer stuff shattered that, of course. But when they went off for the requisite encore thing, they came back and said "So, we didn't play anything from an album we did back in 1996. We're going to play the last third of it now, if you don't mind."

Aw yeah.

It was amazing. By then the sound was more dialed in (and I was more used to the mix) and the songs just soared. And, yes, it's their big hit, but Stuck On You just fucking crushed. They did the thing where they supplemented the bass electronically or something, and it was just so heavy and perfect. It was one of those things where I would have been perfectly happy to pay the ticket price for that one song and then gone home. Luckily it was accompanied by another 1:25 of greatness.

Reading

So yeah, the whole Elon Musk Buying Twitter thing. I haven't paid too much attention to it, but it did seem like a generally bad thing. Musk is a ridiculous attention whore who thinks he's hilarious with way too much money ($54.20 per share, get it?! 420! 🤣 LOL! LMAO!). Even though I don't really use twitter much anymore, I still browse it occasionally and know it can have some value if you put some effort into curating your feed and posting to a receptive audience. But overall, it's whatever.

I came across this article after seeing some rando getting roasted after questioning where Matt Levine's acquired his info on M&A since it seemed so naive (a classic twitter move) and him just replying, in all lower case, "i acquired it at wachtell lipton." which is, apparently, the most profitable law firm in the world, specializing in complex corporate transactions. The rando has since deleted his tweet, of course:

![[CleanShot 2022-07-09 at 10.10.07@2x.png]]

Anyways, this article is pretty long, but does the best job I've seen of just laying all this bullshit out after Musk announced he was pulling out of the deal (insert requisite joke about it being the only time he's ever pulled out here).

Eating: Rap Snacks

We went to southern California last week and I found some Rap Snacks, so I bought them. They were pretty good.

Listening

Steve Von Till is one of the guys from Neurosis. Neurosis is one of those bands I would always see metal dudes wearing shirts and patches from, but I never really listened to them. One day when I was in the record store around 1996 or so there was something awesome blaring fro the speakers and I asked the guy what it was. He said it was the new Neurosis album, Through Silver In Blood. I bought the cassette.

It was incredible. The next year at college in NYC, I had two cassettes — that and Great Southern Trendkill — and I listened to them on repeat for an entire year. Those albums are ingrained in me, forever associated with a challenging but memorable time of my life.

Before I was very familiar with Neurosis, my band had the privilege of playing with them. It was gnarly. They were so loud and heavy, with a full AV display and noise guy. I wish I would have known what I was experiencing at the time. Since then I've thankfully seen them a bunch of times, and even went down to SF to go to both of their 30th anniversary shows with a few of my doggs. And, without fail, at every show they'll play at least one song from Through Silver In Blood and it will just annihilate.

Ok, so Neurosis is incredible, and Steve Von Till is an integral part of that. He recently made a video where he went over 11 non-metal albums he recommends to folks who like metal. This is relevant to my interests. He clearly has good taste and deep knowledge of music, and most (not all) of the recommendations are things I'd never really known about or given my attention to.

https://youtu.be/-BbHhYiofXY

I won't go over all the albums, but if it sounds like something you'd dig, check it out!

Severance

I mentioned a few issues ago that we were watching Severance on AppleTV+ on the recommendation of some friends. It looked pretty interesting from the marketing but I didn’t really know much about it. Folks said it got better as it went on and the ending was pretty wild.

The first episode hooked us, and it did indeed escalate as it went on. The cinematography is pretty intriguing. On one hand it’s super sparse and bleak, with one of those aesthetics that blends modern things with elements from older decades. Things like modernish phones alongside old 80s computer workstations and cars, while most folks are dressed in pretty normal, modern clothes. Kinda increases the sense of unease.

In general it kinda had a Charlie Kaufman type of feel. Just generally weird and unsettling, but not hitting you over the head with it. The actors put in some great performances, and in general it’s just really well done. It definitely hooked me after the first episode, I looked forward to every episode’s exposition, and the season finale was fuckin' wild. Can’t wait to see season two.

When I mentioned we were watching it in Issue 7, I got a reply from Liz (you should definitely subscribe to “Mondays, amirite?") telling me I needed to read an article titled “‘Severance,’ ‘Severance,’ and the Dissociative Demands of Office Labor”. This is the type of shit I love about having a newsletter. Even though only a few people read it, those who do are badass like Liz. Coincidence?

Anyways, I put off reading the article until we finished watching the season, as I didn’t want any spoilers etc. I could tell from the title, though, that it was going to be banger, and after reading it I was not disappointed. There was a lot more to it than a basic TV show review.

The article is, on the surface, a review of both the Severance TV show and the book of the same name that came out a few years before the show. I wasn’t even aware of the (unrelated) show, but it’s on my list to read now. The article’s main thread is, unsurprisingly, about the dehumanizing aspects of modern, capitalist work. As an old man who’s been working non-stop for the last 25 or so years, I get it.

But like I said, this article goes way beyond it. As we’re all still processing the continued march of the supreme court et al, the following passage really hit

The sheer panic of realizing you don’t have bodily autonomy resonates well beyond office walls in 2022. As state governments and the Supreme Court continue to make clear that women and trans people, in particular, are property of the state, their bodies to be legislated and controlled against the will of the individuals who inhabit them, it has become harder and harder for workers to ignore the terrifying world and do our little Zooms to make enough money to pay for the rising cost of rent, healthcare, and other essentials to human life. Yet it is more and more urgent to corporations that we close our eyes in the service of productivity, hitting quotas and yielding profits before the economy tips into recession.

The last band I was in that actually played shows and released stuff was Tafkata. We had an album called Worker and Parasite that was pretty much a concept album about how much work sucked. Nothing as sophisticated as any of this, but the same general mood. While I love to build things and have mostly liked my jobs over the years, I know deep down it’s all kinda bullshit. I feel lucky to have found some things that I like that are generally helpful. But, at the end of the day, we don’t have a whole lot of choice. As the Severance book described the pandemic they presciently wrote about:

Shen Fever turns the infected into the walking dead of capitalism: wordless creatures doomed to perform the same routines over and over.

This is the system humans have created for themselves. It’s possible to break out. But damn is it hard.